sculpture

Call for Entries: Aesthetica Creative Works Competition

Aesthetica is looking for entries to the 2009 International Aesthetica Creative Works Competition. The 2008 Competition was a successful springboard for artists’ careers around the globe.

The Aesthetica Creative Works Competition: Artwork, Photography & Sculpture, Fiction and Poetry
Three winners will be awarded £500 each
All finalists will be published in the Aesthetica Creative Works Annual, in stores December 2009
Entry to the 2009 Aesthetica Creative Works Competition is £10
This allows you to submit up to 5 images, 5 poems or 2 short stClosing date to receive Creative Works is 31 August 2009

The winners and finalists from last year, went on to secure further exhibitions, commissions and publications. The winners and finalists were published in the Aesthetica Annual. It's a great opportunity to bring your work to a wider audience.

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cytoplasm - phil price sculpture (Auckland waterfront)

Phil Price designed kinetic sculpture called 'cytoplasm'. located at Waitemata Plaza, Auckland - near Viaduct / waterfront. video taken 4th June 2007

The Auckland city what's on site has some more info on auckland city sculptures

"Phil Price's kinetic work is one of the most popular on the Viaduct walkway. It comprises 16 pod-like discs that move both individually and collectively in the wind. No two views of the work are the same, and herein lies much of Cytoplasm's attraction."

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outdoor sound installations

there was a question on the Acoustic Ecology mail list about permanent outdoor sound installations. some of these were mentioned by people on the list :

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Derek Holzer mentioned Max Neuhaus & his talk at the Tuned City seminar :

"check the sound installation work of Max Neuhaus, particularly his Times Square piece:"
http://www.max-neuhaus.info/soundworks/

"... His work is quite subtle and very strong conceptually. One piece in particular I remember him presenting at Tuned City in Berlin http://www.tunedcity.de was a piece for a public park, where the speakers were hidden under the ground and the sound emerged from what appeared to be drainage grills. Actually, the sound didn't seem to emerge from ANYWHERE, which was the beauty of it. Max said he spent quite a bit of time developing the (weather and vandal-proof) sound systems for these kinds of installations." -- Derek Holzer

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