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PixelPress' intent is to encourage documentary photographers, writers, filmmakers, artists, human rights workers and students to explore the world in ways that take advantage of the new possibilities provided by digital media. They seek a new paradigm of journalism, one that encourages an active dialogue between the author and reader and, also, the subject.

Sleepy Brain was an online magazine created by Simon Sellars, a freelance writer and editor. Hess also the founder of the Liquid Architecture festival of sound art; of Subterrain, a magazine of writings about homelessness; and of Ballardian, a website recording the career and influence of the novelist J.G. Ballard. For the past three years Simon has been performing extensive work for Lonely Planet Publications, including a notable stint in the Micronesian region. Sellar is also a co-author of the forthcoming Lonely Planet Guide to Micronations. visit http://www.sleepybrain.net for more details

Founded in 1995, Studio XX is Montreal's foremost women's digital resource centre. Through a variety of creative activities and initiatives, the Studio works with women to demystify digital technologies, to critically examine their social aspects, to facilitate women's access to technology, and to create and exhibit women's new digital art.

Noisegate is a magazine of sound intrestes a magazine dedicated to the exploration and exposure of the innovative use of sound as a functional and creative medium. Distributing 500 copies per issue.It has had outlets in Sheffield, York, Leeds, Birmingham, London and Wiesbaden in Germany and subscribers from Europe, Scandinavia, U.S.A. and Japan. On the 25 March 1996 Noise Gate organised a Festival of Experimental Music at the Lescar,Sharrow Vale, Sheffield. June 1996 Noisegate participated in 7'8's Of A Second, The Midlands Art Centre, Canon Hill Park, Birmingham

A new magazine for the grey zone of Noise & Politics, Datacide provides information on the cutting edge of technological subversion via sound and ideas. Assembled as part of an emerging Post-Media flow, Datacide is fueled by a current of enthusiasm and desire that does not seek legitimiation through the usual channels, but works as a tool to prompt the inquisitive and those becoming increasingly tired of the expediencies of journalism and self-interest.

Not Still Art, a forum for artists working in abstract and non-narrative electronic motion imaging with music/sound design, disseminates artists' work via international screenings, live performances, conferences, publications, and hard and virtual media. Not Still Art produces historic and contemporary programs in collaboration with art institutions, broadcasters, publishers, and internet organizations.