australia

VISION FOUR 5 – Ritual of Love EP (reissue)

VISION FOUR 5 – Ritual of Love EP

https://Xelon.lnk.to/EACpp

Officially this is the first single from the upcoming debut album ‘Texture’. This single switched gears for the band musically by releasing on CD which opened up an above the line distribution channel and split the sound into singles for radio and vinyl/remixes for clubs and rave. The vocals were delivered by Sheree Exton, who sang previously on Cyberphobia and much later on ‘B the 1’ on the second album ‘Humid’. While we’re on the topic of the vocalists who worked with Vision Four 5, here’s the shout out to all those talented and diverse singers:

Emma Baker Spink: The first vocalist, met in clubs and full of good vibes. Emma sang on ‘Love Power’ which formed part of the independent release ‘Deep Fantasy’

Sheree Exton: Introduced through a former lecturer and vocal coach, singing on ‘Cyberphobia’, Ritual of Love’, both of which she appeared in the video’s for and later ‘B the 1’

Yolanda Podolski: Conservatorium opera graduate and lead singer of cool indie/electro band (also featuring stable mate Paul Mac from Itch-e & Scratch-e) The Lab, singing on ‘United’ from the second album ‘Humid’

Lollie: The distinct sound and sights of club/cabaret personality Lollie, who co-wrote and sanf on ‘Funkify Yourself’ and ‘Purple Lamp’ as well as writing the lyrics for ‘B the 1’. What a team. She is a prolific talent who would take instrumentals to another dimension and turn them into killer songs with a unique and quirky appeal.

Thematically ‘Ritual of Love’ is a reflection of the clubbing lifestyle and rituals of mateship taking place in a modern social context. The original video played on this theme from the fervid to the frigid, extending the idea to body as landscape.

It was made on one of the first Avid digital non-linear edit suites in Australia and won a digital design award the year it was released.

Vision Four 5 always approached electronic music from a band, not a DJ perspective and included video and interactivity at the same experiential level for their shows. Touring and gigging was an essential part of writing and developing the material, both musical and visual, which was then released as singles albums and videos.

It’s an exciting time to be able to release the entire catalogue in it’s original form on all digital formats, with a few extra’s thrown in, to re-connect the music of the 90’s with people and find new audiences, which helps people understand how we got here.

By Noel Burgess
22/07/2016
https://www.facebook.com/visionfour5

original post @ https://www.facebook.com/visionfour5/posts/1413085998705375

Real Talk: Aboriginal Rappers Talk About Their Music And Country book

via https://sites.google.com/site/realtalkthebook

When industry magazine The Music Network asked Australian hip-hop pioneer Urthboy to write about the state of the country's rap scene, his answer took some by surprise. Instead, the Herd member and Elefant Traks boss wrote this: “I was asked to write about the state of hip-hop in Australia. I’d prefer to shine a light on what may be the future of it: Indigenous Hip-Hop. Indigenous artists carry a profoundly engrossing and intriguing story for international audiences, yet it’s barely understood by many Australians.”

This book aims to be an introduction to some of the Aboriginal hip-hop artists out there. All have stories that demand to be heard, from the better-known players like The Last Kinection, Jimblah and Sky’high, to those who are probably too radical for the establishment to handle - such as Provocalz, whose interview ends with the interviewer and interviewee both being questioned by police.

The book is by no means comprehensive - there are about 50 Aboriginal hip-hop artists pumping out quality tracks at the moment, and it speaks to only half of them. But it aims to be a live document, updated at the start of each year. Hopefully it will become more comprehensive as the years tick by. At any rate, readers are encouraged to seek out the artists and follow them in their own, unedited, words.

Reviews:
"A must-read." - I Am Hip-Hop magazine, UK. "A hell of a read - with rappers holding forth on everything from politics to family, books, poetry, activism, homophobia, police brutality... and just about anything else you can think of." - The Koori Mail. "Incredible read." - Jimblah, on the Impossible Odds interview. "Want to read all about me and my thoughts? This is the one right now!" - Briggs. "Amazing interview with Impossible Odds. Everyone should read that interview." - Ozi Batla. "The most articulate and well-researched article on the band I've ever read." - Fred Leone, Impossible Odds. "Probably the most awesome article on Desert Pea Media I have ever seen." - Toby Finlayson, Desert Pea Media. "Of all the interviews we've done - and we've done a hell of a lot - this was, without a doubt, by far the the best." - Kings Konekted. "Best interview I've done. Props." - Provocalz. "Mat always does a good job with the interviews." - Indij hip-hop show founder Munk.

The author, Mat Ward, is a journalist who lives in Sydney. He is not Indigenous. Read more about why he wrote the book here. For more information contact RealTalkTheBook@gmail.com.

The book is available on Amazon (kindle) and all proceeds go to Koori Radio. Visit the book's website to read sample chapters and for more information

For another article on MonkeyMarc and his work with the Barkly community of beat makers and to listen to some of their music, take a look at Boom Bap in the Barkly – Check Australia’s Freshest Desert Beats

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Hilltop Hoods Initiative $10000 cash incentive towards releasing your album

The HTH Initiative is a $10,000 cash incentive funded by Hilltop Hoods and APRA AMCOS to help emerging Australian Hip Hop and Soul artists to manufacture, market, and release an album. In past years the initiative was restricted to South Australian residents but since 2009 it has been made available to applicants Australia-wide. In addition to the $10,000 in funding, the winner will receive legal advice courtesy of David Vodika and Media Arts Lawyers which can be used for general legal or specific career advice, plus a Zoo York Clothing prize pack and a Love Police ATM Merch Manufacturing Start-Up Kit (to the value of $500).

via http://www.apraamcos.com.au/hth-2015 - visit the APRA AMCOS site or read more for details

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New Weird Australia project has closed down

New Weird Australia is concluding its mission after five years in operation, and will mark the moment with a three-volume set titled "Passages".

Each volume is curated by one of New Weird Australia's three directors - Stuart Buchanan, Andrew Tuttle and Innez Tulloch - and features 51 tracks from the project archive, including music from Holy Balm, Guerre, Kučka, No Zu, Kirin J Callinan, Oscar Key Sung, Matthew Brown, Chrome Dome, Mere Women and many more, with design by New Weird Australia art director, Heath Killen.

Since its inception in 2009, New Weird Australia has established a number of projects in support of Australian experimental music, clocking up over 400,000 downloads in five years, distributed through its own online channels and via its long-standing association with WFMU's Free Music Archive. New Weird Australia projects included its 23-volume compilation series, the acclaimed netlabel Wood & Wire, the "New Editions" series of individual artist releases, a long-running radio show on Sydney's FBi and a nationwide series of live shows.

New Weird Australia founder Stuart Buchanan notes: "When we launched five years ago, Australian experimental music was often frustratingly hard to uncover. We saw an opportunity to connect audiences into work that was beyond the fringes, and offer artists opportunities to widen their community. Although that mission could well be endless, online networks now afford artists easier access to fans and supporters, in ways we could not have imagined five years ago. This therefore feels like a good moment to conclude, to reflect on the collective achievements of all the artists involved, and to showcase some of the work that has made the project so compelling."

In addition to the 'Passages' compilation trilogy, New Weird Australia's netlabel, Wood & Wire, will release its final album featuring exclusive soundtracks recorded for FBi's "Ears Have Ears" experimental music program, with extended material from Fatti Frances, Rites Wild, Hollow Press and Cycle~ 440. Download from woodandwire.com.au.

The full New Weird Australia project archive will remain online indefinitely, acting as a record of a unique and vibrant period in the outer limits of Australian music.

http://newweirdaustralia.com/2015/01/new-weird-australia-concludes-with-...

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interactive documentary symposium

A symposium around interactive documentary is being conducted by RMIT’s nonfictionLab on Monday February 16.

Monday, February 16. 10am - 4pm
RMIT University, City Campus

Interactive documentary is a developing new field of audio visual nonfiction. It combines documentary film with the possibilities made available by the internet and new media. RMIT's nonfictionLab is hosting a research symposium that offers new ideas about interactive documentary. Presentations are from theorists and practitioners in the field of interactive documentary. The symposium will be a lively introduction and contribution to discussion and debate about this new form of multilinear, multimedia nonfiction.

This is a free symposium. To register your interest in attending please email your name to: rsvpnonfictionlab@rmit.edu.au

Topics and Speakers
Affect and Ambient Documentary
Adrian Miles (RMIT, Melbourne)

Documentary, instructions and experiences of place
Bettina Frankham (UTS, Sydney)

Between art and documentary (Miniatures & series: journeys across the surface of the earth)
Cathie Payne (University of Newcastle)

New Narratives for New Media: Exploiting the potential of emergent media for the production of hybrid documentaries
Dean Keep (Swinburne, Melbourne)

Moments of Noticing: I See You as a Speculative Work Towards an Essayistic List Practice in Interactive Documentary
Hannah Brasier (RMIT, Melbourne)

#24Frames 24Hours: An emerging documentary form: Workshop-generated videos
Max Schleser (Massey, NZ)

A Documentary Designer Manifesto: Propositions for Interactive Documentary Practice on the Web
Seth Keen (RMIT University, Melbourne)

http://nonfictionlab.net.au/2015/01/interactive-documentary-expanded-fie...

Thanks to all who donated to #Funds4DaMasta - AUCTIONS HAVE STARTED

Thanks to all who donated to #Funds4DaMasta

The Auction is now live @ http://search.ebay.com.au/?sass=aliak77&ht=-1 or visit http://funds4damasta.tumblr.com

Once again, the cream of the crop of Australia's hip-hop community has banded together to offer some rare and exclusive items up for auction in benefit of a good cause… This time for our good friend and fellow musical brother in hip hop; MC, DJ & turntablist, DA MASTA who has been enduring a long-term battle with cancer. 100% of the profits (amount raised minus ebay & paypal fees) of the items sold in this auction will go directly to the DA MASTA to help with medical bills, living expenses and aid in the release of his forthcoming album.

A lot of the items up for auction are one offs and rarities kindly donated from all corners of Australia, friends, artists and peers have all chipped in, so reach deep, as cancer is a horrible disease that has a further reach than just the hip-hop community, along with the recent loss of Australian hip-hop icon MC Hunter (RIP).

The support and donations have been overwhelming and your bids are appreciated. If you do not happen to be able to bid, and want to make a donation, alternate details will be posted soon where you can directly contribute to DA MASTA. This auction was put together by DJ Sheep and being overseen by Reason and AliaK.

We'd like to send our special thanks to all who have donated items for these auctions:

360
Bigfoot
Blue Corner Records (DJ Damage & DJ Sheep)
Chris @ Soulmate Records
Chris Kelly (Adicts / Sunday Scratch Jamboree)
Crate Cartel Records
Debate (Train Of Thought)
DJ Damage
DJ Sheep
Down For The Count Records
Elefant Traks
Evolve
Evolve & Mids
Face (SSF / Smoke Screen Family)
Fizzy Fizz
Funkoars
Hams
Hilltop Hoods and Golden Era Records
Horrorshow
Jacquey (Weird Gear)
Joe Resetar
Kevin Riddell
Lau and MarleyBear on behalf of SBX
Len-1
LookUP crew, Bingethinkers, That's Them & Sarm
Mata & Must / Pang Productions
Matty Fresh & DJ Damage
Media Fortress
Minimal Aesthetics Records
Mortar / Clandestien
Nikk-C
Porsah Laine
Ran MC
Realizm
Smokescreen Family (Da Masta)
Soul Clap Records
Soulmate Records
Southside Custom Ink
Stealth Collection (Mark Pollard via/& AliaK)
Steven Baillie
The Masta (SSF)

Many thanks from the #Funds4DaMasta team.

http://funds4damasta.tumblr.com

Mez' book of Mezangelle - human readable messages

Mez has been writing mezangelle / code poetry / netwurks on mail lists and the web since the 1990s. Trauma Wien Art Club has released a new book of Mez' mezangelles from 2003-2011 called "human readable messages - mezangelle 2003-2011" The book will be available at the Trauma Wien site, and also be on amazon in January 2012 (technically December 31st, but with the time difference in Australia, check in January) For those who can't wait (like me), it's also available from Lulu. There's a preview of the book on the Lulu page, including the table of contents. There are mezangelles with titles such as, "_Sub.Mission[s]_", "_Squashed Tele.biology_", "_Dream Fullscreen_" and many more.

Florian Cramer has described mezangelle as (from netwurker.de) :

[quote]As florian cramer says: “The beauty of "mezangelle" is that it uses elements of programming language syntax as material, i.e. reflecting formal programming language without being one. For the reader of mez's "netwurks", it remains all the more an open question whether the "mezangelle" para-code of parentheses and wildcard characters only mimics programming languages or is, at least partially, the product of programmed text filtering.”. Jim Andrews asserts that: “The term 'code poetry' has been used in connection with Mez's writing…as in using the devices often found in computer languages (like deep bracketing) and applying them meaningfully to natural language. These devices, in computer languages, are often used to represent data structures in code (like trees or other 'graphs') and also manage processes on these data structures (like insertion/deletion/tree balancing). Mez takes these ways of representing often non-linear structures and introducing/managing process in these structures and applies/deranges them in natural language--there is little computer language in her work. Like the text contains its own neath text.” les schaffer’s take on mezangelle is “mez's style is just the most delightful play on coding. I think of her as a cross between James Joyce and... Larry Wall – author of the Perl programming language and a linguist by training.....". [/quote]

Australian Hip Hop Supports CanTeen

Hunter's new charity cd is available today "Australian Hip Hop Supports CanTeen". 100% of the money goes to CanTeen to help kids with cancer. he would have loved to have seen it released, I'm sure. I hope you can all support it. the lineup is great too, so you'll get a double cd of great music from some of Australia's best hip hop artists - it's so great to see everyone in the hip hop community pulling together to help Hunter and others with cancer.

& remember his msg: "As I depart this world with a song in my heart, I just want to say, Love each other! Love will make you happy, Love is the answer to all your questions - I got mad Love!" --HUNTER SBX.

I found the cd @ http://brokentoothentertainment.bigcartel.com/product/aussie-hip-hop-sup... & I'm sure there's prob lots of other places too, check your fav indie music spot

the album is also available for download on itunes @ http://itunes.apple.com/au/album/australian-hip-hop-supports/id482533448 (or search "Australian Hip Hop Supports CanTeen")

Hunter & Mortar - Fear and Loathing

Hunter & Mortar - Fear and Loathing—a few words with Hunter SBX about his new album with Mortar—this was originally an article for ozhiphop.com : article in forum & on http://officialozhiphop.tumblr.com. by AliaK 31/05/2011. Thanks very much to Hunter for taking the time to answer my rambling questions

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Hunter and Mortar released their new album "Fear and Loathing" in May 2011—the guys seem a perfect match to release an album together. Written over a few years, there's a range of styles, and fans of either of the two will not be disappointed. My personal favourites are the more introspective songs, such as Mortar's "Expecting to Fly" and Hunter's "Love and Fear" but there are also plenty of hardcore rap songs for the fans to play at parties and bars around Australia. Hunter answered a few questions and replied to comments about the new release. You can find the album in all good stores supporting Australian Hip Hop, and I'd encourage you to buy all of Hunter's and Mortar's albums, including this one—the latest chapter in the Hunter SBX story.

>> AliaK
Hunter SBX

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Hunter (SBX) - The Words

Hunter (SBX) — The Words

Reflections on Hunter's first three albums:
::: "Done DL" ::: Hunter and Dazastah (2002)
::: "Going Back to Yokine" ::: Hunter (2006)
::: "Monster House" ::: Hunter and DJ Vame (2010)

When Walter Benjamin stated in 1936 that, “the art of storytelling is coming to an end" due to the rise of the printed novel and the lowering value of experience, he hadn't anticipated the rise of the hip hop emcee to revive this craft in our modern world. In all his albums, Hunter shows his skills as a wonderful storyteller. There are tales of growing up, getting into trouble and later returning to his hometown of Yokine, Perth, in the songs "Adolescence", "Going Back To Yokine" and "Yokine (Drugs + Crime)". These are stories of self-discovery, and of changing his life, and of hope — giving up old ways that were not working for him to focus on music, rapping and living a hip hop-infused life instead. "What I Do Best" has the feeling of homecoming to a community of supportive people and finding his place in the world. There are stories of mateship and the value of community with his Syllabolix (SBX) family and crew. There are stories of having children and the specialness that can bring to one's life in "Ultrasound" and "Kids of the Future". Littering his rhymes in "Kids of the Future", "The Big Issue" and "Me Old Man" are stories based on his Dad’s advice, as he contemplates being a father himself.

BVDUB & SOFIE LOIZOU - "MILLIONS" released on Clone Records

Bvdub and Sofie Loizou are two passioned artists who have a special collaboration on this Southern Outpost offshoot! Sofie Loizou is at the forefront of the electronic music scene in Australia and Brock Van Wey (bvdub) is one of America's most prolific electronical artists known for his excellent deep house and dubby techno releases. The EP is evocative and wistful, enveloping the listener in a dream state. The two made an equisite piece of lush ambient techno with vocals of the Polish Natalia Grosiak (produced by Polish sound artist Dawid Szczesny). The combination of Natalia's enchanting vocals and exquisite textural sound beds creates a sublime experience of blissful melancholy. This is a highly limited run of only 200 copies... yeah we know.. it's crazy to have a Bvdub collaboration this limited... but its just a fun project of Southern Outpost and friends! Don't sleep!
Oz people can order from Radical Nature Records website

http://clone.nl/item17454.html
http://radicalnature.net
http://www.facebook.com/profile.php?id=108216829201499
http://sofieloizou.com
http://www.facebook.com/pages/Clone-records/16338319069

-- info from clone records page

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VROOM - venues across Australia for touring bands

The VROOM website is a growing online database of Australian Venues available for touring bands to search and use. Both metropolitan cities and rural towns' venues are available. visit http://www.vroom.net.au for more details

from the VROOM About Us page :
# The following information is available about all venues; technical and production specifications, music genre preferred (and on which night), licensing arrangements, capacity, noise restrictions, accommodation, booking contact details etc
# The types of venues listed will include licensed and unlicensed venues (i.e. bars, cafes, restaurants, clubs, universities community centres, ovals, PCYCs, and entertainment centres) and cover all genres of original contemporary music

Experimental Music: Audio Explorations in Australia (book)

Experimental Music: Audio Explorations in Australia is written by artists, producers and participants in alternative music-making, and including a companion CD, Experimental Music explores the development of forms, ideas and scenes in Australia from the 1970s to the present. It brings together a wide range of musical experimentation, from post-punk, noise, appropriation, electronic dance and listening music, to free improv, computer process music, experimental radio, instrument building and audiovisual fusions -- practices that have formed an integral part of Australian creative culture. Experimental Music illustrates how these forms have influenced each other to create a fertile and diverse culture, and highlights why it is vital to question, experiment and break the rules.

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Liquid Architecture 10 festival

Liquid Architecture 10 : Festival of Sound Arts is a landmark occasion for the festival and for sound culture in Australia. Celebrating its tenth consecutive year, the Liquid Architecture sound festival runs for four weeks and goes to seven cities across Australia, presenting an exciting program of contemporary sound arts. With a decade of experience to draw upon, the diverse program features live events and installations showcasing the highest quality sound work in an intense focused listening environment, privileging our most unsung sense: listening.

The breadth of diversity of artists and artistic practices includes meticulous recorded work, improvised instrumental performance, new sound for screen work, radical uses of digital technology, inventive self-made sound making devices and historically informed practices.
-- info via Liquid Architecture website

Wide Open Space - music, dance, art, environment, and desert culture festival (Alice Springs)

Wide Open Space is a new all ages festival for Central Australia, showcasing inspiring local and national music and arts.

Held against the stunning backdrop of the East Macdonnell Ranges at the Ross River Resort 85 km from Mparntwe Alice Springs, Wide Open Space blends music, dance, art, environment, and desert culture with a unique outback camping experience.

The festival runs from May 1-3 2009 and features:

* Indigenous Opening ceremony and Welcome to Country
* Two Stages with a full line-up of live music, DJs, and performances with hip-hop headliners Urth Boy; dancehall maestro Mista Savona; Desert reggae blockbusters Tjupi Band, and festival beat master Spoonbill
* Colourful market place selling tasty treats, hand crafts and clothing from local and interstate designers

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