sound art

"From Field to Publication" - Douglas Quin workshop

"From Field to Publication" - Douglas Quin workshop

On Saturday 16 and Sunday 17 June Quin will present a workshop "From Field to Publication".

During the workshop Quin will discuss audio equipment and field recording techniques and share with workshop participants his approaches to recording wildlife and natural soundscapes in environments around the world. Later, aspects of production such as the translation of recordings and experiences for publication in avenues such as films, games, artistic exhibitions and historical exhibits will also be discussed.

This workshop will be ideal for emerging and midcareer composers, sound designers, naturalists and artists with an interest in music and the arts of sound.

Places are limited and we will make selections by an Expression of Interest (EOI) process.
Residents from around Australia are encouraged to apply. Please note that residents of NSW will have the opportunity to access our ‘WIRED EARS’ (Emerging Artist Residency Scheme) subsidy program, which will assist them with the costs of attending the workshop, which will be held onsite at The WIRED Lab.

WHEN:
Sat 16 June, 10am - 3pm
Sun 17 June 10am - 1pm
Lunch provided by The WIRED Lab, BYO recording equipment

FUNDING FOR NSW ARTISTS

WIRED EARS The WIRED EAR Scheme provides financial assistance for emerging and mid career artists from NSW to attend WIRED Lab workshops and initiatives. For this intensive masterclass The WIRED Lab will be offering funding support to assist 10-12 emerging artists with the costs to attend the masterclass. Artists who consider themselves to be "emerging" or "mid career" are invited to submit a brief expression of interest (EOI) detailing their arts practice and how they feel they will benefit from being a WIRED EARS participant.

On your EOI please cite the cost of your return travel to/from Cootamundra NSW and keep your EOI to one A4 page. Also note that we don't follow the standard age determined definitions of "emerging" we expect you to determine where you place your practice and experience. Interdisciplinary artists are encouraged to apply.

WIRED EARS is supported by the NSW Government through Arts NSW, the scheme is currently offered to NSW based artists, we have offered WIRED EARS nationally in the past and hope to do this in the new FY.

WIRED EARS expressions of interest are due Monday 28 May
(places will be confirmed no later than Friday 1 June)

To obtain an EOI form and for more information email: workshops at wiredlab dot org

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Postfolkrocktronica Picnic

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Postfolkrocktronica Picnic, with FBi's Utility Fog

thanks to the organizers and artists who played. I arrived a bit late so missed the first couple of performances. loved the venue - so many textures, such a great warehouse & view from the island. and the sound was great. nice to see Raven & Ollie Bown - I'd only heard some of Icarus' cds and music on Utility Fog so it was great to see how he makes his music. interesting to hear that he programs code for it too. and wow, Pimmon! that sounded different to other times I've seen him play. loved it. so atmospheric, and even a bit industrial in there as well. and I do believe he was even dancing a bit! :)

some photos @ http://www.flickr.com/photos/aliak_com/sets/72157628156997103 (ferry, outpost, performances)

videos :
raw clips - unedited

Postfolkrocktronica Picnic #69 http://youtu.be/IzIgP5hE6UU ::: Raven

Auraltered State - performance series curated by Lucas Abela

Auraltered State
dualpLOVER and Performance Space
Sat 20 February & Sat 6 March, 8pm
{TRACK 12}
FREE

Performance Space in association with dualpLOVER invites you to Auraltered State #1 the first of eight free performances to be conducted across 2010 focusing on the music of New South Wales as heard through the ears of Lucas Abela. The performances will cross a wide spectrum of music from the state with a focus on some of our more entertaining, innovative, unusual and new thought artists. All shows will be held at the new Performance Space ClubHouse which has a limited capacity of 100 patrons so please come early. This series has been kindly supported by Arts NSW.

Auraltered State #1 – 20th February
Auraltered State #2 – 6th March
http://performancespace.com.au/?p=498

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Experimental Music: Audio Explorations in Australia (book)

Experimental Music: Audio Explorations in Australia is written by artists, producers and participants in alternative music-making, and including a companion CD, Experimental Music explores the development of forms, ideas and scenes in Australia from the 1970s to the present. It brings together a wide range of musical experimentation, from post-punk, noise, appropriation, electronic dance and listening music, to free improv, computer process music, experimental radio, instrument building and audiovisual fusions -- practices that have formed an integral part of Australian creative culture. Experimental Music illustrates how these forms have influenced each other to create a fertile and diverse culture, and highlights why it is vital to question, experiment and break the rules.

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Liquid Architecture 10 festival

Liquid Architecture 10 : Festival of Sound Arts is a landmark occasion for the festival and for sound culture in Australia. Celebrating its tenth consecutive year, the Liquid Architecture sound festival runs for four weeks and goes to seven cities across Australia, presenting an exciting program of contemporary sound arts.

Ripped - a night of performance, textures, noises, hypercolours, and beats (sydney)

Roll up fine citizens, roll up yer sleeves, roll up in yer beat up mazda, it's time for Ripped - A night of performance, textures, noises, hypercolours, and beats.

This Ripped features:
Cleptoclectics
Too Many Force Fields
Toydeath
Loom
Svelt

Ripped @ Red Rattler Theatre, 8th May
6 Faversham St, Marrickville

Also featuring will be The MashTable (new and weirder Dubtable, will possibly feature some gabba). See http://www.dubtable.net

Dress code? It would be encouraged to show up "Ripped", but that's a dubious promotion, so perhaps you should show up "torn" instead.

~~~~ BYO ~~~~ !!! The Red Rattler hasn't got their liquor license yet, so bring your own grog. Entry is $10/$7

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Announcing Synaesthesia, Art, Science & Technology Discussion Group on the Leonardo Education Forum (LEF)

Announcing Synaesthesia, Art, Science & Technology Discussion Group on the Leonardo Education Forum (LEF)

Following the Synaesthesia Discussion on YASMIN Discussions List, during the month of February 2009, we wish to inform you that this discussion will continue on the Leonardo Education Forum on the topic of Synaesthesia, Art, Science & Technology.

To join the discussion, please register at: http://forum.lefnet.org/node/26

This Discussion Group invites comments on Synaesthesia, Art / Science topics as well as announcements on art projects, research and relevant events.

The LEF Synaesthesia Discussion Group is part of the Leonardo Synesthesia and Intersenses Special Project launched in 1999 by Jack Ox and Jacques Mandelbrojt (www.leonardo.info/isast/spec.projects/synesthesia/synesthesia.html) and is currently moderated by Veroniki Korakidou, PhD Candidate - Research Associate at the University of Athens NT Lab, Communication and Media Department.

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SCANZ 2009: Raranga tangata - The Weaving Together of People (New Plymouth, New Zealand)

SCANZ 2009: Raranga tangata
The Weaving Together of People

Solar Circuit Aotearoa New Zealand (SCANZ) is the interCreate Research Centre's major project, a two week residency for artists, producers, writers, theorists and curators will be held in New Plymouth New Zealand from January 26th to February 8th 2009. Project partners are the Govett-Brewster Art Gallery and Puke Ariki integrated library and museum.

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Greg Jenkins - composer and performer

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greg jenkins - composer and performer

greg jenkins composes directly with the inherent musicality of sounds, making harmony, melody and rhythm subservient to sonic texture and spatiality. He will often extrapolate sonic minutiae into whole compositions for example by "zooming in" on a tiny fragment of recorded voice then using this as the basis of a droning musical weft.

greg also likes to hit things; things such as suspended arrays of inverted flower pots; things such as beer kegs; and things such as midi percussion controllers which allow him to subversively remap non-percussive sound objects to percussive performance gestures. He frequently makes use of "micro-gestures" - subtle physical manipulations of computer hardware which control software synthesis engines allowing him to perform directly on the software in real time. greg is also known as "cactusman" due to his penchant for using a cactus as an amplified acoustic instrument.

Cicada

cicada is a collection of artists who work with landscape - urban, natural, constructed and imagined... a combination of results occur, including site-specific installations, performances and interactive pieces... cicada also make other bits of sound+image works for theatre, dance and performance projects... and occational urban gifts of unexpected enlightenment...

ENZYME 7 - Live experimental industrial and electonica in Melbourne. Friday Nov 28.


Non profit underground music entity DEMUS, is proud to announce...

FRIDAY 28th NOV 2008
Blue Velvet - 60 Smith Street Collingwood
8pm Start - $8 at Door

Live music performances by:

SAROPHONY
http://www.myspace.com/sarcophony
Melbourne based Industrial Metal producer is releasing his new CD "TV is Bad For You" on the night, featuring remixes from local and international artists, and rare tracks.

DJ SARCO vc DJCMYTH
Will be playing sets of local music, tracks from the Sarcophony release and a dark range of other goodies.

DJ INFECTIOUS UNEASE
http://www.infectiousuneaseradio.com
Need we introduce the wide ranging Noir tastes of the founder of Infectious Unease Radio?

MxDxM
http://www.kostar8.com
http://www.myspace.com/kostarproductions
MxDxM (aka K.O. StaR) specializes in creating Underground Electronic Metal Dance Music. MxDxM's approach is based on simplicity and minimalism.

SOBRIQUET

21:100:100

Facebook | 21:100:100

IN CONJUNCTION WITH 21:100:100 AT GERTRUDE CONTEMPORARY ART SPACES ,
GCAS AND MIAF PRESENTS,

21:100:100 IN CONCERT
An evening featuring phenomenal sound artists from Melbourne and beyond

This live performance at BMW Edge, Federation Square is a companion piece to the exhibition of sound works at Gertrude Contemporary Art Spaces. This concert takes the concept of 21:100:100 beyond the gallery walls, beyond the headphones and enables audiences to listen to the works in a live concert spectacle.

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Open Frame

OPEN FRAME is room40's annual festival of sound and media. This year it is being held at Brisbane Powerhouse's Rooftop Terrace over two evenings 2nd-3rd October.

Thursday 2 October 2008
* oren ambarchi
* domenico sciajno
* kim myhr
* antony milton

Friday 3 October 2008
* kk null
* lucky dragons
* birchville cat motel
* spartak

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outdoor sound installations

there was a question on the Acoustic Ecology mail list about permanent outdoor sound installations. some of these were mentioned by people on the list :

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Derek Holzer mentioned Max Neuhaus & his talk at the Tuned City seminar :

"check the sound installation work of Max Neuhaus, particularly his Times Square piece:"
http://www.max-neuhaus.info/soundworks/

"... His work is quite subtle and very strong conceptually. One piece in particular I remember him presenting at Tuned City in Berlin http://www.tunedcity.de was a piece for a public park, where the speakers were hidden under the ground and the sound emerged from what appeared to be drainage grills. Actually, the sound didn't seem to emerge from ANYWHERE, which was the beauty of it. Max said he spent quite a bit of time developing the (weather and vandal-proof) sound systems for these kinds of installations." -- Derek Holzer

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SONIC BODY - sonic installations and video works by, through and for bodies

JOLT and West Space present SONIC BODY - sonic installations and video works by, through and for bodies. Artists are Brandon LaBelle (USA), Philip Samartzis & Marcia Jane, Bruce Mowson, and James Hullick. October 1-4 2008 at West Space. OPENING Thursday October 2, 6-8pm ::: with performance by James Hullick at 7pm (no entry fee) ::: CLOSING Saturday October 4, 5pm ::: with performance by Philip Samartzis & Lizzie Pogson ($5 entry) :::

Brandon LaBelle (USA) is an artist and writer working with sound and auditory issues. He is the author of Background Noise: Perspectives on Sound Art (Continuum 2006), and Professor at the Bergen National Academy of the Arts, Norway. http://www.errantbodies.org/labelle.html

Marcia Jane is a video and film artist based in Melbourne. Her interests lie in flickering, pulsating, rhythmic abstraction; and audio-visual sensory experiences. Marcia lectures in visual art at Swinburne University and studies at RMIT's School of Art. http://www.permutations.net

Philip Samartzis is an internationally acclaimed electro-acoustic maestro and teacher to many of Melbourne's most successful sound artists through his work at RMIT. His current practice is dominated by the use of field recordings as source material for sonic works. http://www.microphonics.org "one of the leading lights of Australian experimental music" Rare Frequency 2006

Bruce Mowson is a Melbourne-based sound and video artist. He has conducted research into the phenomenon of absorption in audio-visual media though a series of exhibitions and performances and teaches at RMIT University. http://www.brucemowson.com

James Hullick is an installation artist, composer, pianist and electro sound-artist. Hullick is also Artistic Director for JOLT. http://www.jameshullick.com "...a highly reduced transparent psychogram, that shocks as much as electrifies the listener" Reutlinger Nachrichten (Südwestpresse) 2007

read more or visit http://joltarts.org and http://westspace.org.au for more details

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