sydney

body as sac (2025)

Inspired from reading “bodies of water“ and “material feminisms“ books, with their ideas on the posthuman feminine body and theories - bodies of water, blood, milk etc. made me think about what other materials are in the posthuman body, now we’re carrying plastic and some are injecting botox and saline and other cosmetic materials. For this work I explored making bioplastic / bio-silicone to see what other sustainable materials might be used. Or, if society moved to more sustainable plastics could they dissolve before/in the body for less harm? So this is a sac (fishbowl, that ppl look at, like feminine bodies are looked at) with materiality explorations and gloopy liquids (from photos of the materials’ samples & closeup pics via a digital microscope, made more gloopy via AI) are projected into the body/bowl via another pepper’s ghost process to show movement and life in the body, whilst the petri dish samples cure / set during the duration of the exhibition …

“Boobs Are Dancing” exhibition at @articulateprojectspace sydney. Thanks so much for the opportunity to show my work in this wonderful group show!

https://www.instagram.com/p/DHhfsQpz7KF

What do we gain from public exposure to sound and how can audio be used to create urban environments that connect with the public?

Sonic Publics addresses the public presentation of sound. Audio is installed in industrial-scaled art galleries, tower lobbies, hospitals and concert hall foyers. Taking numerous forms, from compositions accompanying light environments to music designed to comfort visitors in office lobbies, audio arts presented in this way expands and shifts contemporary notions of public and private space. Sonic publics have grown rapidly, exposed knowingly or unknowingly to audio arts through large festivals focused on displays that fill their environments with sound and light to commercial environments that have placed large-scale screens and sound systems in entrance spaces.

Sonic publics, as presented in this forum, form across situations; visitors’ unheard energies are made sonic, apps such as Spotify and YouTube present algorithmically manipulated music to the public—at once diversifying and standardising music, and synthesised music is played to children in hospitals.

This forum, with its focus on the presentness of sound, asks a crucial question: What do we gain from public exposure to sound, and how can audio be used to create urban environments that connect with the public in a human-centred manner?

SPEAKERS

Chair: Associate Professor Caleb Kelly, UNSW School of Art & Design

Dr Adam Hulbert, UNSW School of the Arts & Media

Dr Tom Smith, UNSW School of the Arts & Media / UNSW School of Art & Design graduate

Dr Pia van Gelder, ANU School of Art & Design / UNSW School of Art & Design graduate

This forum will also be livestreamed: https://unsw.zoom.us/j/89794965569
Wednesday, August 7, 12 - 2pm AEST
UNSW Art & Design Paddington

part of the 2024 Research Forum examining the key research undertaken at the UNSW School of Art & Design
info via Sonic Publics ticketing site

The Mu-Meson Archive is a collection of cult and alternative films & ephemera gathered and kept safe by Aspasia and Jaimie Leonarder, aka Miss Death and Jay Katz. The archive, "exploring the fringes of society and the strange", is hosted in a venue in the inner west of Sydney. Subscriptions are available via the Mu Mesons Archive Patreon page to access films, interviews and more to support the archive for cheaper than a monthly streaming service

See an interview with the Leonarder's on RealTime Arts
Mu-Mesons Archive Facebook page
https://www.mumesonarchives.com

28 Mar 2015 - 24 May 2015

Spans 60 years of Australian Art with over 50 iconic works by 26 artists who have shaped the development of modern art in Australia.

The Triumph of Modernism tells the story of a new identity in Australian art commencing post World War II with artists such as Sidney Nolan, Arthur Boyd, Russell Drysdale, John Brack, John Perceval and Charles Blackman. Later years see the continuing development of modern art in the works of Fred Williams and John Olsen, and in more recent times in contemporary art by artists Imants Tillers, Howard Arkley and Aida Tomescu. The Triumph of Modernism is a rich and representative display of the story of modern Australia, with a particular and deliberate emphasis on Australian identity, although it is just a glimpse into the remarkable collections.

Curated for Hazelhurst by its patron, Edmund Capon, the exhibition provides an opportunity to see some works that are rarely made available for public viewing. “This is the first time Sydney audiences will be able to see the collection in such depth, revealing the strength and diversity it holds” said Belinda Hanrahan, Hazelhurst's Director. Edmund Capon says “My objective here has been to illustrate two themes; firstly the triumph of modernism in Australian art and, secondly, the particular qualities and strengths of the TarraWarra and Besen collections.”

Artists featured include Howard Arkley, George Baldessin , Charles Blackman, Arthur Boyd, John Brack, William Delafield Cook, William Dobell, Russell Drysdale, Ian Fairweather, Joy Hester, Dale Hickey, Roger Kemp, Joanna Lamb, Godfrey Miller, Sidney Nolan, John Olsen, John Perceval, Jeffrey Smart, Tim Storrier, Edwin Tanner, Imants Tillers, Aida Tomescu, Tony Tuckson, Brett Whiteley, Fred Williams and William Wright.

This exhibition is a partnership project between TarraWarra Museum of Art and Hazelhurst Regional Gallery & Arts Centre. The Triumph of Modernism will also be shown at TarraWarra Museum of Art from 21 June – 16 August 2015.

via http://www.sutherlandshire.nsw.gov.au/Community/Hazelhurst/Exhibitions/T...

CALL FOR PROPOSALS
NULA NURA: Indigenous Arts Lab on Cockatoo Island 22 – 31 May 2015

Deadline: Midnight, Sunday, 29 March 2015

Successful applicants will be advised in the beginning of April.

The Nula Nura Indigenous Arts Lab is a new project developed in partnership with the Sydney Harbour Federation Trust. The laboratory will provide a development opportunity for emerging and mid-career Aboriginal and Torres Strait Islander visual artists who are ready to conceive of larger scale and visible outcomes for their practice. Artists will be selected to participate in an intensive 10-day residency.

Nula Nura will be facilitated by renowned Aboriginal artists Djon Mundine OAM and Andrea James. Successful participants will be mentored by leading Aboriginal senior artists through conceptual, design and devising processes for installing and presenting site-specific interdisciplinary art on Cockatoo Island. Nula Nura will be an immersive residency that involves camping on the island for the 10-days.

The Lab will take place from 22 May – 31 May 2015 around historically significant sites at Cockatoo Island, Sydney.

PERFORMANCE SPACE/ SYDNEY HARBOUR HERITAGE IS OFFERING:

A ten-day residency at Cockatoo Island, Sydney Harbour
All meals, plus ‘glamping’ accommodation on Cockatoo Island and per diems
Mentorship sessions and workshops with experienced leading visual artists and curators
A facilitated 1-day showing open to the general public
Technical support for the ten days of the residency

ELIGIBILITY

Be of Aboriginal or Torres Strait Islander descent (please provide Aboriginality Certificate if possible)
Currently reside in NSW or be available in Sydney for the residency dates
Emerging or mid-career arts practitioners
Participants are required to be available for the full 10 days of the residency

We encourage applications from artists working across the mediums of visual art, photography, painting, sculpture, textiles, digital media, installation, performance and live art etc.

If you have any questions or would like to discuss your proposal please call 02 8571 9101 or email: nulanura@performancespace.com.au (Sonny Dallas Law, Project Coordinator)

via http://performancespace.com.au/nulanura
visit the website for details on how to apply

Places + spaces invites you to the launch of their series Common Eclectic, music in Glebe Town Hall.

A musical showcase that flirts with intimate performances of comedy, music and magic, Indie artists, chamber opera, gypsy jazz or a twist on a string ensemble. A musical taster to whet the senses.

The series kicks off with Sydney’s favourite folk club High Tea launching their 2015 season with The Maple Trail and PHIA in a double bill on Saturday 7 February. This special show features the sublime songcraft of Aidan Roberts and the kalimba-toting Phia.

The Maple Trail is the project of multi-instrumentalist Aidan Roberts (Belles Will Ring, Lanie Lane, Tubular Bells For Two). Roberts has gathered a new collection of songs to follow 2012's acclaimed album 'Cable Mount Warning'. His music travels from his roots in traditional English and Scottish folk, skewed Americana and distinct vocal and guitar storyscapes. These are the latest tales of winter and summer, light and dark, love and loss, tigers and Tasmania.

Joining The Maple Trail is Berlin-based PHIA - hailed by the European press as “one of Australia’s most underrated musical exports”. She creates “hypnotic, joyful and definitely danceable” music using nothing but an African Kalimba, her voice and a loop pedal, plus her producer/guitarist Josh.

The performance series runs from February to November — what you’ll see and hear is an eclectic selection of music and musicians. The program is dynamic, much like the artists they are working with. It’s an eclectic bunch, flowing from jazz grooves, epic folk music, a touch of classical to sound art and soundscapes in the beautifully restored Glebe Town Hall

Artists include the Crooked Fiddle Band, Spyglass Gypsies, Stephen Adam, Clocks & Clouds, David Bridie, Fred Smith, Mic Conway & Robbie Lang, Hinterlandt Ensemble, Daniel Weltlinger, Simon Lobelson and more.

High Tea with Aidan Roberts and PHIA (double bill)
Saturday 7 February from 7 pm, performance commences at 8pm

Glebe Town Hall, 160 St Johns Road, Glebe

All tickets $15 - book now - Moshtix

Places + spaces thank the City of Sydney for their support as Principal sponsors of this project
-- via places + spaces email

107 Projects is looking for budding event managers, curators, creative directors, tech heads, photographers and people interested in social media and design.

107 Projects is a not-for-profit, artist run, multi-disciplinary creative space in the heart of Redfern, Sydney, with a creative program that spans music, theatre, poetry, visual arts, and everything in-between.

They are currently seeking intelligent, energetic and enthusiastic volunteers who want to get involved by assisting with the delivery of creative programs as well as those wanting to get some serious arts admin experience.

If you are keen and have some spare time to share with then, send an email listing your previous related experience (if any), and whether you'd like to be involved with visual art, music, performance, admin or all of the above to volunteer@107projects.org

more details at the 107 Projects website

via https://www.facebook.com/events/733304860098501

As part of celebrations for 35 years of broadcasting we're putting on 35 DJs in 35 Hours!

A welcome throwback to an era where 2SER ruled the airwaves with its 24 hour Mosaic Mix events – showcasing the best Sydney DJs and their incredible catalogue of contemporary and vintage dance sounds – 35 DJs/35 Hours pulls in an amazing crew of 2SER DJs both past and present, coming together for the love of 2SER and a damn fine party.

The honour roll hitting the decks includes cult classics Club Kooky Kids, Elefant Traks crew, Sub Bass Snarl's Luke Snarl, Katalyst, DJ Sveta, Simon Caldwell, Bec Paton, Chasm, Huwston, Deepchild and Annabelle Gaspar. From the current SER program stable, the groove keeps coming from Back to Funk's Meem, Jumping The Gap's Paris Pompor, Down Low Disco's Lorna, Groove Therapy's Frenzie, The Shadows of Tomorrow's Prize and Sofie Loizou, Departure Lounge's Trevor Parkee, Dub is In The Air's Gonz and so many more!

35 DJs/35 Hours kicks off on Friday January 30 at 12pm, live from The Loft behind 2SER in Broadway. It's a free event with everybody welcome! And you can tune your radio in to 107.3 FM to hear 35 DJs/35 Hours live, right through to 10pm on Saturday January 31.

FULL LINE-UP OF DJS HAS BEEN ANNOUNCED: