music

VISION FOUR 5 – Ritual of Love EP (reissue)

VISION FOUR 5 – Ritual of Love EP

https://Xelon.lnk.to/EACpp

Officially this is the first single from the upcoming debut album ‘Texture’. This single switched gears for the band musically by releasing on CD which opened up an above the line distribution channel and split the sound into singles for radio and vinyl/remixes for clubs and rave. The vocals were delivered by Sheree Exton, who sang previously on Cyberphobia and much later on ‘B the 1’ on the second album ‘Humid’. While we’re on the topic of the vocalists who worked with Vision Four 5, here’s the shout out to all those talented and diverse singers:

Emma Baker Spink: The first vocalist, met in clubs and full of good vibes. Emma sang on ‘Love Power’ which formed part of the independent release ‘Deep Fantasy’

Sheree Exton: Introduced through a former lecturer and vocal coach, singing on ‘Cyberphobia’, Ritual of Love’, both of which she appeared in the video’s for and later ‘B the 1’

Yolanda Podolski: Conservatorium opera graduate and lead singer of cool indie/electro band (also featuring stable mate Paul Mac from Itch-e & Scratch-e) The Lab, singing on ‘United’ from the second album ‘Humid’

Lollie: The distinct sound and sights of club/cabaret personality Lollie, who co-wrote and sanf on ‘Funkify Yourself’ and ‘Purple Lamp’ as well as writing the lyrics for ‘B the 1’. What a team. She is a prolific talent who would take instrumentals to another dimension and turn them into killer songs with a unique and quirky appeal.

Thematically ‘Ritual of Love’ is a reflection of the clubbing lifestyle and rituals of mateship taking place in a modern social context. The original video played on this theme from the fervid to the frigid, extending the idea to body as landscape.

It was made on one of the first Avid digital non-linear edit suites in Australia and won a digital design award the year it was released.

Vision Four 5 always approached electronic music from a band, not a DJ perspective and included video and interactivity at the same experiential level for their shows. Touring and gigging was an essential part of writing and developing the material, both musical and visual, which was then released as singles albums and videos.

It’s an exciting time to be able to release the entire catalogue in it’s original form on all digital formats, with a few extra’s thrown in, to re-connect the music of the 90’s with people and find new audiences, which helps people understand how we got here.

By Noel Burgess
22/07/2016
https://www.facebook.com/visionfour5

original post @ https://www.facebook.com/visionfour5/posts/1413085998705375

Black Mercury Lloyd W Barrett - listening notes

Black Mercury album by Lloyd W Barrett
https://secretkillerofnames.bandcamp.com/album/black-mercury
(listening notes)

the album begins with a sound of the future, blade runner style. continues with sounds picturing cinematic wide-swept scenes. openness. there's a lightness underlying these songs that I'm really enjoying. & some interesting sounds in Imposter Syndrome - finished too soon. full-bodied, layered.

oh beauty. 'cloud refuge'

oh gorgeous "the Church of Enlightened Disinterest"

Agbogbloshie. so lush. mixed with sparks of electricity

it's been on repeat all evening (random & in order)

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CFP: The 2015 Totally Huge New Music Festival Symposium

The 2015 Totally Huge New Music Festival Symposium
Call for Papers
via http://www.tura.com.au/tura-program/the-2015-totally-huge-new-music-fest...

The 2015 Totally Huge New Music Festival Symposium
Thursday May 21
The State Library of Western Australia, Perth Cultural Centre

Theme: Western Australian Art Music: 1970 – 2014
in association with the launch of the Western Australian New Music Archive

Keynote Speakers:
Stephen Adams, Australian Music Producer, ABC Classic FM.
A/Prof Cat Hope, Project Leader, Western Australian New Music Archive.

The Australian Research Council Linkage funded Western Australian New Music Archive (WANMA) will be launched at the State Library of Western Australia on Wednesday 20th of May 2015 as part of the 12th Totally Huge New Music Festival in Perth, Western Australia.

Papers for an associated one-day symposium the following day are sought, on the theme of “Western Australian Art Music Activity: 1970 – 2014” to celebrate the launch of WANMA, a digital archive focusing on the Western Australian art music since 1970 to the present day.

The call is for papers and panel proposals around remembering Western Australian music, in particular music with links to Western Australian composers, performers, writers, events, music series, writing, artists and other associated organisations or people. Monographs on or interviews with Western Australian composers, ensemble, curators or events are particularly welcome.

Composers that are likely to feature in the early iteration of the archive include Ross Bolleter, Alan Lamb, David Pye, Cathie Travers, Hannah Clemen, Lindsay Vickery, James Ledger, Iain Gradage, Roger Smalley, Chris Tonkin, Rupert Guenther, Nela Trifkovic, Rob Muir, Stephen Benfall, Chris Cobilis and many current WA composers. Ensembles and performers such as Alea, Pi Ensemble, the WASO New Music ensemble, Axis 21, Skadada, Decibel, Magnetic Pig, Energia, Headkikr, KAK, Lux Mammoth, Smidrin, Steve Richter, The High Impedence, Jo Re Mi, Tetrafide, Defying Gravity, Schvendes and student ensembles from UWA and WAAPA past and present. Events such as Club Zho, Totally Huge New Music Festival, Scale Variable, WAAPA and UWA lunchtime concerts, Noisemachin!, Guerilla Sessions and any current activity.

The papers will be double blind peer reviewed and published in Volume 5 of “Soundscripts”.

Abstracts between 300 and 500 words due by Feb 25 2015.
Notification of acceptance 10 March 2015.
Registrations due 15 April 2015 $100 for all.

Abstracts to conference@tura.com.au

Presented by Tura, WAAPA, SLWA and The Musicological Society of Australia

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New Weird Australia project has closed down

New Weird Australia is concluding its mission after five years in operation, and will mark the moment with a three-volume set titled "Passages".

Each volume is curated by one of New Weird Australia's three directors - Stuart Buchanan, Andrew Tuttle and Innez Tulloch - and features 51 tracks from the project archive, including music from Holy Balm, Guerre, Kučka, No Zu, Kirin J Callinan, Oscar Key Sung, Matthew Brown, Chrome Dome, Mere Women and many more, with design by New Weird Australia art director, Heath Killen.

Since its inception in 2009, New Weird Australia has established a number of projects in support of Australian experimental music, clocking up over 400,000 downloads in five years, distributed through its own online channels and via its long-standing association with WFMU's Free Music Archive. New Weird Australia projects included its 23-volume compilation series, the acclaimed netlabel Wood & Wire, the "New Editions" series of individual artist releases, a long-running radio show on Sydney's FBi and a nationwide series of live shows.

New Weird Australia founder Stuart Buchanan notes: "When we launched five years ago, Australian experimental music was often frustratingly hard to uncover. We saw an opportunity to connect audiences into work that was beyond the fringes, and offer artists opportunities to widen their community. Although that mission could well be endless, online networks now afford artists easier access to fans and supporters, in ways we could not have imagined five years ago. This therefore feels like a good moment to conclude, to reflect on the collective achievements of all the artists involved, and to showcase some of the work that has made the project so compelling."

In addition to the 'Passages' compilation trilogy, New Weird Australia's netlabel, Wood & Wire, will release its final album featuring exclusive soundtracks recorded for FBi's "Ears Have Ears" experimental music program, with extended material from Fatti Frances, Rites Wild, Hollow Press and Cycle~ 440. Download from woodandwire.com.au.

The full New Weird Australia project archive will remain online indefinitely, acting as a record of a unique and vibrant period in the outer limits of Australian music.

http://newweirdaustralia.com/2015/01/new-weird-australia-concludes-with-...

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Australian Hip Hop Supports CanTeen

Hunter's new charity cd is available today "Australian Hip Hop Supports CanTeen". 100% of the money goes to CanTeen to help kids with cancer. he would have loved to have seen it released, I'm sure. I hope you can all support it.

BVDUB & SOFIE LOIZOU - "MILLIONS" released on Clone Records

Bvdub and Sofie Loizou are two passioned artists who have a special collaboration on this Southern Outpost offshoot! Sofie Loizou is at the forefront of the electronic music scene in Australia and Brock Van Wey (bvdub) is one of America's most prolific electronical artists known for his excellent deep house and dubby techno releases. The EP is evocative and wistful, enveloping the listener in a dream state. The two made an equisite piece of lush ambient techno with vocals of the Polish Natalia Grosiak (produced by Polish sound artist Dawid Szczesny). The combination of Natalia's enchanting vocals and exquisite textural sound beds creates a sublime experience of blissful melancholy. This is a highly limited run of only 200 copies... yeah we know.. it's crazy to have a Bvdub collaboration this limited... but its just a fun project of Southern Outpost and friends! Don't sleep!
Oz people can order from Radical Nature Records website

http://clone.nl/item17454.html
http://radicalnature.net
http://www.facebook.com/profile.php?id=108216829201499
http://sofieloizou.com
http://www.facebook.com/pages/Clone-records/16338319069

-- info from clone records page

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Weird Gear Brisbane

BC/DC PRESENTS: WEIRD GEAR - LAST SUNDAY OF EACH MONTH w/ DJ Sheep, Bruce Highway, Len-1, Chubba, Jacquey

The Brisbane Crate Diggers Co-Op presents - WEIRD GEAR - A monthly event (last Sunday of every month) where the BC/DC crew play their favourite and weirdest records...

The event is syndicated with the Melbourne edition of Weird Gear. The focus is not on the dancefloor, so come and let your ears have an orgasm.

The Weird Gear crew dip into their record collection monthly and play a range of styles and genres including 60s and 70s Pop, Psych, Space Prog, Moog, Folk, Electronics, Jazz, Proto-Hip-Hop, Soundtracks and other eclectic treats!

STRICTLY VINYL. NO MP3s, CDs OR COMPUTERS.

It's FREE entry, and it's on at Rumpus Room, so you know it's going to be chill. LAST SUNDAY OF EACH MONTH from 3pm - 9pm.

The address for your GPS: Cnr. Boundary Rd & Russel St, West End

Resident DJs, the BC/DC - DJ Sheep, Bruce Highway, Len-1, Chubba, Jacquey + a SPECIAL GUEST INVITED EVERY MONTH TO JOIN THE MADNESS!

Stylus, 45 adaptors and other record accessories proudly supplied by Rocking Horse Records.

Much love to Callum Flack for the lovely flier artwork!

facebook page @ http://www.facebook.com/group.php?gid=10150102606860118
via http://stealthmag.com/board/viewthread.php?tid=14631

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Auraltered State - performance series curated by Lucas Abela

Auraltered State
dualpLOVER and Performance Space
Sat 20 February & Sat 6 March, 8pm
{TRACK 12}
FREE

Performance Space in association with dualpLOVER invites you to Auraltered State #1 the first of eight free performances to be conducted across 2010 focusing on the music of New South Wales as heard through the ears of Lucas Abela. The performances will cross a wide spectrum of music from the state with a focus on some of our more entertaining, innovative, unusual and new thought artists. All shows will be held at the new Performance Space ClubHouse which has a limited capacity of 100 patrons so please come early. This series has been kindly supported by Arts NSW.

Auraltered State #1 – 20th February
Auraltered State #2 – 6th March
http://performancespace.com.au/?p=498

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song for today - some of my favourite songs

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Song for Today - each day (or close to it), I've been selecting a song for facebook and twitter. listing them here too. usually they'll be playable via a youtube video or other online link

sound a day - recordings and found sounds

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sound a day - posting a sound each day (week?) inspired by Shannon O'Neill's Sound A Day project

SAD - Sound A Day

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Sound A Day was inspired by Shannon O'Neill who is posting one of his sounds each day.

Call for Submission: Music for Another World Fiction Anthology

Call for submissions. Fantasy and science fiction stories on the theme of music.
Submission deadline 30th April 2010.

£80 per acceptance.
Full submission guidelines at http://www.music-strange-fiction-submissions.info

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Experimental Music: Audio Explorations in Australia (book)

Experimental Music: Audio Explorations in Australia is written by artists, producers and participants in alternative music-making, and including a companion CD, Experimental Music explores the development of forms, ideas and scenes in Australia from the 1970s to the present. It brings together a wide range of musical experimentation, from post-punk, noise, appropriation, electronic dance and listening music, to free improv, computer process music, experimental radio, instrument building and audiovisual fusions -- practices that have formed an integral part of Australian creative culture. Experimental Music illustrates how these forms have influenced each other to create a fertile and diverse culture, and highlights why it is vital to question, experiment and break the rules.

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Liquid Architecture 10 festival

Liquid Architecture 10 : Festival of Sound Arts is a landmark occasion for the festival and for sound culture in Australia. Celebrating its tenth consecutive year, the Liquid Architecture sound festival runs for four weeks and goes to seven cities across Australia, presenting an exciting program of contemporary sound arts.

ideas of history/origins of Apollo Space program samples in electronic dance music?

any ideas of history/origins of Apollo Space program samples in electronic dance music? (Q via maillist, pls help) http://tinyurl.com/cdx84e

I'm on a maillist which discusses EDM (electronic dance music) and one of the members/list managers, Graham St John (an Australian scholar who has compiled a few books on EDM) has asked about origins of samples from the Apollo Space mission in music. he's asking specifically about dance related music but the discussion has brought up Sun Ra's name. so I was wondering if anyone here knows of examples/history along hip hop / funk /soul / electro (80s, not 2000s) & electronic dance music lines which might help plot the history deeper? (the discussion then went onto alien imagery at some psytrance events but that's another topic)

here's the initial request from Graham St John :
I'm attempting to trace the appeal of Apollo Space Program dialogue

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