some links to follow up - mostly relating to the books i've recently purchased here in india - an ongoing list
ASMITA (literally, identity) was established in 1988 as a non-profitable, non-political and non-governmental organization by a nucleus of young enthusiastic women journalists. Its general objective is to fulfill the existing gap in participation, representation and access to media of women. It is committed to find new ways and directions for women's progress. Its major aim is to produce various publications on women in the media. ASMITA is the one and only feminist alternative media organization in the country, and it functions as a pressure group for the advancement of women through media activism. ASMITA Women's Publishing House, Media and Resource Organization (in short, ASMITA) was established in 1988 as a non-profitable, non-political and non-governmental organization by a nucleus of young enthusiastic women journalists, and started to publish the first feminist magazine of Nepal. The magazine was named Asmita which means "dignity" and "identity". In fact, this was the first movement of the organization for Nepali women's human right and empowerment through media.
Women's World of India
Women's WORLD (India) was set up in July 2002. It is part of Women's WORLD (International), a free speech network of feminist writers, which has ongoing projects in Africa, Asia, Europe, Latin America and North America. The primary aim of WW(I) is to provide a space for women writers in South Asia to analyse the circumstances in which women write, are published and read in this region, to identify the issues facing women writers here, and to develop a strategy for working on them at the national, regional and international levels.
Blaft Publications is a new independent publishing house based in Chennai, India. Their releases so far include an anthology of Tamil pulp fiction, a translation of an experimental Tamil novel, a book of drawings, and a book of English short stories. However, in the future, Blaft has much wider goals. They are planning to eventually branch out into translations of fiction from other regional languages of South Asia, English fiction, comic books, graphic novels, children's books, non-fiction, textbooks, how-to-manuals, encyclopedias, and kitchen appliances.
The Blaft Anthology of Tamil Pulp Fiction
- selected & translated by Pritham Chakravarthy
- edited by Rakesh Khanna
Feminist Fine Print
A moderately priced, handy new series that offers two, three or four core essays on a single issue, from a critical feminist perspective. The essays may be single-authored or have multiple authorship depending on the issue, its significance within India and South Asia, and its theoretical and political implications.
- http://www.womenunlimited.net/catalogue2.htm for list of book details currently available
An imprint of Kali for women
Women's resources in Delhi
- a list of organisations
YODA PRESS is an independent publishing venture based in New Delhi. With a view to developing dynamic non-fiction lists, both academic as well as popular, which can make available interactive spaces for further discussion, scholarship, and writing, this young venture is currently focusing its attention on areas like urban studies, sexuality and the body, gender, cinema, contemporary art and popular culture, and new perspectives in history. In doing so, the larger YODA PRESS list hopes to effectively capture the non-mainstream, alternative, yet critical reality of contemporary India. The Press invites feedback, constructive criticism, and the ever enriching exchange of ideas, which can often lead to a stunning new publication.
Sarai researches the urban experience, the city, the publics and practice of (old & new) media, "information and society", free & open source software, language and digital cultures and the interface between urban transformation, contemporary culture, and development. Sarai research has flowed into conferences, books, articles, art Installations and even school textbooks. Our researchers Include scholars and practitioners. Sarai places a premium on the research process as a whole, rather than just the final outcome. This means that Sarai research material continually reaches the public domain through collaborative mailing lists, CD's, small essays, apart from conferences and research articles.
Sarai publishes books (The Sarai Readers, The Deewan-e-Sarai and the Series), pamphlets (The Media Nagar Series), broadsheets (Sarai.txt, Cybermohalla Broadsheets) and occasional publications ('By Lanes', 'The Book Box' etc.) on paper as well as on the web. All Sarai publications are copyleft and maybe freely downloaded for non commercial & edycational use from the Sarai website.
Sarai embodies a continuing engagement with creativity in urban neighbourhoods through the 'Cybermohalla' Project in collaboration with a 'Ankur' Society for Alternatives in Education, a Delhi based NGO with a proven track record of more than two decades of work in the field of critical pedagogy and community mobilization in poor neighbourhoods in the city.
Sarai supports a growing network of independent researchers, practitioners and students all over India through fellowships and stipends. Over the last five years we have supported more than 400 independent researchers from all over the country.Many of these come from small towns such in the hinterland and in spaces marked by conflict such as Jammu and Kashmir and the North East. Half the proposals that have been supported have been sent in by women, a significant proportion of supported candidates belong to ethnic and religious minorities and oppressed communities. All the proposals investigate areas that would find little or no support, either in academia, or in mainstream media, although several of the candidates have gone on to make further meaningful work in academia and the media, to a large measure due to the ground that they were able to cover in the course of the Sarai independent research proposal.
Sarai invites critical reflections on the nature of the contemporary moment, by holding regular screenings and discussion of curated programmes of fiction, documentary and experimental films and video, and by acting as a convivial context for online and offline conversations through discussions, mailing lists and blogs in English and Hindi at the Sarai space and on the Sarai website.
Sarai engages with the Hindi/Hindustani public domain through publications, translation, lists, web content, software localization, events and workshops.
Sarai organises events such as - conferences, seminars, workshops, summer schools, colloquia, colloquia and hosts occasional residencies around themes thatthemes that reflect the programme's intellectual and creative interests.
Sarai produces media (video, audio, print, web) and contemporary art works, CDs, radio and software. Works produced at the Sarai Media Lab have been exhibited in several international venues such as Documenta11, and the Venice, Liverpool and Taipei Biennales.
Sarai collaborates with organizations and initiatives locally, regionally and internationally/globally on events, processes, networks, projects and publications.
Sarai reaches out to students and faculty in colleges, institutes, university departments and student societies to organize talks, discussions, readings, screenings, screenings, informal interactions and conversations.
Sarai archives different facets of contemporary popular culture, urban space and media forms with a view to making information about them available to a wide public of researchers and practitioners.