books I own

books I own

VloMo08 : day17 - book purchases whilst in India

I actually recorded this video on 09/11/2008 but it was a large file and my computer's been playing up during exporting so I've only had time to compress it tonight.

these are the books I purchased at Mid Land Book store whilst in Delhi. I always buy the annual Sarai Reader - a collection of research papers & project documentation from India and around the world. they always have something that I'm not familiar with - different issues are covered - urban issues, social issues, resettlements, voices of local people, keeping or documenting traditional methods in art & social / community circles + more. the books are available online as pdfs so I've read some of the chapters but I like to have a paper copy as I find them easier to read.

the bookstore owner recommended other books for me to try - mostly feminist books & topics! there were so many that looked really interesting & informative, but I chose one from each publishing house so I can buy more later. some were part of a series on varying topics.

I have a blog post on my site about (some) women in india links + details on the books in case anyone would like to find out more or read them too :
http://www.aliak.com/content/women-india-book-related-links

I'm not speaking very clearly in the video - I'm not used to talking & filming at the same time and I should have collected my thoughts a bit more before I started, but I don't have the energy to redo it so it is what it is :) & pulp fiction is different to the graphic novels (both were talked about at sarai i-fellows conference - but it's not clear from what I said in the video). the book "Delhi" is written by Khushwant Singh - sorry! I forgot his name whilst recording the video :(

I'm part way reading through the interviews with women writers & the short stories & the tamil pulp fiction books. yet to start the others - it might take me a while to finish. so far they're all great purchase choices! the interview book is especially interesting as it seems there were many topics that women were 'not meant to write about' in india up until, say the 1990s. I might have to find a collection of younger writers to compare with - though I note there's been quite a few younger Indian writers winning or being nominated for various international writing prizes.

VloMo08 : day17 - book purchases whilst in India

17/11/2008

http://blip.tv/file/1477706

blog entry :
http://www.aliak.com/content/vlomo08-day17-book-purchases-whilst-india

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Women in India & book related links

some links to follow up - mostly relating to the books i've recently purchased here in india - an ongoing list

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Asmita
ASMITA (literally, identity) was established in 1988 as a non-profitable, non-political and non-governmental organization by a nucleus of young enthusiastic women journalists. Its general objective is to fulfill the existing gap in participation, representation and access to media of women. It is committed to find new ways and directions for women's progress. Its major aim is to produce various publications on women in the media. ASMITA is the one and only feminist alternative media organization in the country, and it functions as a pressure group for the advancement of women through media activism. ASMITA Women's Publishing House, Media and Resource Organization (in short, ASMITA) was established in 1988 as a non-profitable, non-political and non-governmental organization by a nucleus of young enthusiastic women journalists, and started to publish the first feminist magazine of Nepal. The magazine was named Asmita which means "dignity" and "identity". In fact, this was the first movement of the organization for Nepali women's human right and empowerment through media.

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Women's World of India
Women's WORLD (India) was set up in July 2002. It is part of Women's WORLD (International), a free speech network of feminist writers, which has ongoing projects in Africa, Asia, Europe, Latin America and North America. The primary aim of WW(I) is to provide a space for women writers in South Asia to analyse the circumstances in which women write, are published and read in this region, to identify the issues facing women writers here, and to develop a strategy for working on them at the national, regional and international levels.

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Blaft Publications
Blaft Publications is a new independent publishing house based in Chennai, India. Their releases so far include an anthology of Tamil pulp fiction, a translation of an experimental Tamil novel, a book of drawings, and a book of English short stories. However, in the future, Blaft has much wider goals. They are planning to eventually branch out into translations of fiction from other regional languages of South Asia, English fiction, comic books, graphic novels, children's books, non-fiction, textbooks, how-to-manuals, encyclopedias, and kitchen appliances.


The Blaft Anthology of Tamil Pulp Fiction
- selected & translated by Pritham Chakravarthy
- edited by Rakesh Khanna

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Feminist Fine Print
A moderately priced, handy new series that offers two, three or four core essays on a single issue, from a critical feminist perspective. The essays may be single-authored or have multiple authorship depending on the issue, its significance within India and South Asia, and its theoretical and political implications.
- http://www.womenunlimited.net/catalogue2.htm for list of book details currently available

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Zubaan Books
An imprint of Kali for women

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Women's resources in Delhi
- a list of organisations

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Yoda Press
YODA PRESS is an independent publishing venture based in New Delhi. With a view to developing dynamic non-fiction lists, both academic as well as popular, which can make available interactive spaces for further discussion, scholarship, and writing, this young venture is currently focusing its attention on areas like urban studies, sexuality and the body, gender, cinema, contemporary art and popular culture, and new perspectives in history. In doing so, the larger YODA PRESS list hopes to effectively capture the non-mainstream, alternative, yet critical reality of contemporary India. The Press invites feedback, constructive criticism, and the ever enriching exchange of ideas, which can often lead to a stunning new publication.


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Sarai
http://www.sarai.net/about-us/introducing-sarai/overview
Sarai researches the urban experience, the city, the publics and practice of (old & new) media, "information and society", free & open source software, language and digital cultures and the interface between urban transformation, contemporary culture, and development. Sarai research has flowed into conferences, books, articles, art Installations and even school textbooks. Our researchers Include scholars and practitioners. Sarai places a premium on the research process as a whole, rather than just the final outcome. This means that Sarai research material continually reaches the public domain through collaborative mailing lists, CD's, small essays, apart from conferences and research articles.

Sarai publishes books (The Sarai Readers, The Deewan-e-Sarai and the Series), pamphlets (The Media Nagar Series), broadsheets (Sarai.txt, Cybermohalla Broadsheets) and occasional publications ('By Lanes', 'The Book Box' etc.) on paper as well as on the web. All Sarai publications are copyleft and maybe freely downloaded for non commercial & edycational use from the Sarai website.

Sarai embodies a continuing engagement with creativity in urban neighbourhoods through the 'Cybermohalla' Project in collaboration with a 'Ankur' Society for Alternatives in Education, a Delhi based NGO with a proven track record of more than two decades of work in the field of critical pedagogy and community mobilization in poor neighbourhoods in the city.

Sarai supports a growing network of independent researchers, practitioners and students all over India through fellowships and stipends. Over the last five years we have supported more than 400 independent researchers from all over the country.Many of these come from small towns such in the hinterland and in spaces marked by conflict such as Jammu and Kashmir and the North East. Half the proposals that have been supported have been sent in by women, a significant proportion of supported candidates belong to ethnic and religious minorities and oppressed communities. All the proposals investigate areas that would find little or no support, either in academia, or in mainstream media, although several of the candidates have gone on to make further meaningful work in academia and the media, to a large measure due to the ground that they were able to cover in the course of the Sarai independent research proposal.

Sarai invites critical reflections on the nature of the contemporary moment, by holding regular screenings and discussion of curated programmes of fiction, documentary and experimental films and video, and by acting as a convivial context for online and offline conversations through discussions, mailing lists and blogs in English and Hindi at the Sarai space and on the Sarai website.

Sarai engages with the Hindi/Hindustani public domain through publications, translation, lists, web content, software localization, events and workshops.

Sarai organises events such as - conferences, seminars, workshops, summer schools, colloquia, colloquia and hosts occasional residencies around themes thatthemes that reflect the programme's intellectual and creative interests.

Sarai produces media (video, audio, print, web) and contemporary art works, CDs, radio and software. Works produced at the Sarai Media Lab have been exhibited in several international venues such as Documenta11, and the Venice, Liverpool and Taipei Biennales.

Sarai collaborates with organizations and initiatives locally, regionally and internationally/globally on events, processes, networks, projects and publications.

Sarai reaches out to students and faculty in colleges, institutes, university departments and student societies to organize talks, discussions, readings, screenings, screenings, informal interactions and conversations.

Sarai archives different facets of contemporary popular culture, urban space and media forms with a view to making information about them available to a wide public of researchers and practitioners.

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section notes

recent book sections :

The Aotearoa Digital Arts Reader - edited by Stella Brennan & Su Ballard

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Homesick - by Eshkol Nevo

recent book purchases

I can't stop buying books. I really need to but just haven't been able to manage it. I forgot to bring my library card to Auckland and Parsons Books was having a sale so I couldn't resist. last time I bought a book there it cost $150 - this time I bought 4 books for less than $150 so, at least I'm getting better value for money now. I'll probably be hit with excess baggage costs though...

Nam June Paik: Global Groove 2004
- this is a great collection of Nam June Paik's works and writings and includes some letters to John Cage.

did I mention that Brisbane's new GOMA - Gallery of Modern Art, has one of his video pieces "TV Cello" on display.

http://www.flickr.com/photos/aliak_com/tags/namjunepaik/

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Relational Aesthetics by Nicolas Bourriaud

- I haven't started this one properly yet, but it looks like it'll be an interesting essay. it's based on a collection of editorial entries from "Documents sur l'Art" magazine that were first published in 1992.

amazon.com book page

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"How to look at a painting" by Justin Paton

- Justin Paton is speaking at the upcoming Auckland Writers and Readers Festival, and he's a NZ author so I thought I'd give it a try. I haven't started it yet though.

amazon.com page

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Dark Fiber: Tracking Critical Internet Culture (Electronic Culture: History, Theory, and Practice) by Geert Lovink
- I've read many of Geert Lovink's writings on various maillists and website publications such as Sarai Reader so I thought I'd take a read of his book on Internet Culture.

amazon.com book page

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The Bone People by Keri Hume
- this wasn't from Parsons but I bought it last time I left Auckland and read most on the plane back to Sydney then finished it whilst I was there. amazing characters - they haunt you for a while afterwards. I still think of them now and then. a really simple story, about the lives of a couple of families in NZ. Keri Hume won the Booker Prize for this book in the early 90s and since I tend to enjoy reading Booker Prize winning books I thought I'd try an earlier one as I've mostly only read more recent winning titles. well worth the read!

amazon.com book page (though my copy has a different cover image so is probably a different edition)

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this one's a magazine, but it was priced like a book and has been capturing my attention as much as a book, so..

Archis VOLUME magazine - Issue 2006 # 4
- it's an architecture magazine but includes articles about projects & urban issues from around the world as well as upcoming conferences and calls for works / request for comments about certain global issues.

http://www.archis.org/

http://www.c-lab.columbia.edu/

amazon page

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mondo 2000

Finding my old bookmark files has made me nostalgic for the early computing days when everything was new and exciting and full of possibilities. One of my favourite magazines back in the early 90s was Mondo 2000. It was hard to get - only a few places in Brisbane stocked it, actually only two that I recall and even then it was occasional. By the time I got round to subscribing to the magazine it had finished being published and I lost my subscription renewal to the cause so to speak. At the time, it was cutting edge and the full gloss images and interviews with leading thinkers made it a great read. R.U. Sirius who was the editor of the mag has a podcast these days and can be found around mondoglobo.net. Here's a collection of links to mondo 2000 stuff:

mondo articles from the well (link updated : original link broken 25/09/2008 : http://www.well.com:70/1/Publications/MONDO )

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reading notes "Where you're at" by Patrick Neate (notes from the frontline of a hip hop planet)

I've just finished reading "Where you're at - notes from the frontline of a hip hop planet" by Patrick Neate. I thought it was a great book - sometimes he went off on a few tangents, but they provided interesting background information on the context of the hip hop communities in the different cities covered in the book. I'm now re-reading/skimming through it to post up some notes on sections I found most thought provoking. Much of the underlying thread of the book is about the cultural misappropriation of hip hop.

from Part One: New York
page 30

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The Cultural Studies Reader

cultural studies reader

Stencil Grafitti by Tristian Manco

Stencil Art

Subway Art

Subway Art - graf book of New York in the 80s

Hip Hop Files - Photographs 1979-1984, Martha Cooper

an excellent record of the early hip hop years by photographer Martha Cooper

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