painting

tonal still life #2

12/12/2015:

last day of painting class / term today. it wasn't my best day painting. when I tried to add shadows and to make the objects more 3D, I wrecked the tone so spent most of the day trying to get this back - lots of squinting and standing back to look at it from across the room. eventually I had to wipe the paint off and start again. I'm not happy with the shapes either (especially the teapot) - I lost them on the first day when painting the flat tones with the large brush, and couldn't get them back in time. oh well. my teacher said he was happy with the tones. so I need to practice drawing objects (and drawing in general). it's still drying in the shelves at art school so I need to go collect it this week once it's dried.

still-life2-day2

 

05/12/2015:

Cy Twombly’s Remarkable Treatise

Cy Twombly’s Remarkable Treatise

An article about the Cy Twombly: Treatise on the Veil exhibition at the Morgan Library and Museum, and his style of painting and drawing. It shows a few paintings/drawings made in 1970/1972: “Treatise on the Veil (Second Version)” (1970), “Untitled” (1970), and two Untitled” (28 May, 1970) studies.

via http://hyperallergic.com/170270/cy-twomblys-remarkable-treatise

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flower crazy class

some paintings from Carla Sonheim's flower crazy 5 week class. I'm learning a few new techniques for watercolour, gesso, and mixing colours and textures to create "imaginary flowers".

layers of watercolour lines and pens/markers with some pencil shading

painted imaginary flowers in watercolour with gesso painted over the top

watercolour blobs in 3 colours, with gesso masking off interesting shapes to create flowers. scratched lines and textures in the gesso before it dried

plus one of the "2014 — year of the fairy tale" exercises — this is my "princess and the pea" mixed media painting. it's gouche, gesso and pens. the paints are applied using a credit card instead of a brush. it leads to a "free-er" line. I liked the gouche — they dried very quickly

know your materials

I've started the "sketchbook now" class to practice more drawing techniques for my sketchbook, and in lesson one we need to do some tests of our materials. I've used some from previous class exercises, which I hadn't added to the blog, so adding them here as part of this class' notes. the watercolour washes tests were exercises from Fred Lisaius' class "Fall Watercolours". I'll add more tests here as I work on them

these are the watercolours I'm using most often — a mixture of Schmincke and Winsor & Newton pans:

testing different lines & pen textures:

watercolour bead washes:

watercolour wet in wet wash:

watercolour double wet / flood wash with salt added for texture. I used table salt and since the paper was thick, it didn't work too well

more watercolour washes, on thicker, handmade paper

watercolour pencils (texta zoom brand) and pens to see what they looked like with added water:

VloMo08 : day16 - Patta Chitra Katha - traditional folk art of storytelling using visual language

today I watched a video Senthil Kumar posted a video on WADI facebook group called "Arjuna the Archer : AD 2008" - it was based on the techniques of Patta Chitra Katha

I wanted to find out more about this artform and technique, so I googled (without much luck, due to googling the wrong things) and asked the Sarai reader list and received lots of helpful information from many people. after reading about it, it reminds me a bit of the multi-media of a few hundred years ago. multiple paintings / panels on scrolls are read and music played whilst they're read, so there's a mixture of images, music, text, written / spoken word. the artists travel to different villages - equivalent to the communication methods / networks of today transmitting the multimedia messages & works. originally the works were made on cloth using vegetable based paints but these days modern paints are used and most works are done on paper. I hope the traditional methods are not lost completely! the style of painting comes from Orissa and West Bengal. modern artists use both traditional, classical topics as well as current topics & stories - they are trying out new variations of the art too, to keep the method alive and to learn new techniques & skills.

I wrote a blog post (ongoing) about Patta Chitra Katha @ http://www.aliak.com/content/patta-chitra-katha-traditional-folk-art-sto...

VloMo08 - day16

http://vimeo.com/2260235

VloMo08 : day16 - Patta Chitra Katha - traditional folk art of storytelling using visual language from kath on Vimeo.

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Patta Chitra Katha - traditional folk art of storytelling using visual language

Senthil Kumar posted a video on WADI facebook group called "Arjuna the Archer : AD 2008"

he's also posted it to youtube :
http://in.youtube.com/watch?v=h-UPtfEkl_o

there's now a facebook page for Patta Chitra Katha

I wanted to find out more about this artform and technique, so I googled (without much luck, due to googling the wrong things) and asked the Sarai Reader list and received lots of helpful information from many people. after reading about it, it reminds me a bit of an equivalent to multi-media, or even video blogging from a few hundred years ago. multiple paintings / panels on scrolls (equating to video frames?) are read and music played whilst they're read, so there's a mixture of images, music, text, written / spoken word. the artists travel to different villages - equivalent to the communication methods / networks of today transmitting the multimedia messages & works. originally the works were made on cloth using vegetable based paints but these days modern paints are used and most works are done on paper. I hope the traditional methods are not lost completely! the style of painting comes from Orissa, West Bengal & Bangladesh. modern artists use both traditional, classical topics as well as current topics & stories - they are trying out new variations of the art too, to keep the method alive and to learn new techniques & skills.

I made a video for VloMo08 day16 explaining how I found out information about Patta Chitra Katha :

VloMo08 : day16 - Patta Chitra Katha - traditional folk art of storytelling using visual language from kath on Vimeo.

read more for information about this special artform ...

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stencil print by SYKE

280920082113, originally uploaded by AliaK

this is Sydney / Newtown artist SYKE - her myspace is www.myspace.com/syke23

SYKE started an outdoor art area in newtown (sydney) where she and other artists paint and then people can donate what they can for the art works. I think they'd suit the as often the works are on sections of cardboard boxes. the article mentions sometimes kids save up their pocket money to buy some... nice way to start kids appreciating art & craft / creating things instead of buying mass produced wares

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stencil print by Peter Strong

280920082112, originally uploaded by AliaK

this is a print from Peter Strong - one of the Ohms Not Bombs crew

"These canvas's are mixed media works by Peter Strong.

The World Tree exhibition of paintings by Tim Parish

from The World Tree exhibition page on undergowth.org :

Protestors gather under the tree of life as bulldozers approach. Televisions vomit endless waterfalls of information. A disembodied totem of animal, vegetable and mineral world stares at you in profile. The city speaks in confusing angles where we lose perspective. The world tree is burning while man meditates under its shade.

"The World Tree" is an exhibition of new paintings by Melbourne artist Tim Parish, co-founder and art director of Undergrowth.org at Open Studio

The opening night will include music from Kafka and performance artist Si on Sunday the 15th of June at 7pm.

Details:

Opening Night:

7pm Sunday the 15th of June
with music by KAFKA
and spoken word performances by Si and Verbatim

Exhibition Dates:

15th - 29th June 2008

Address:

OPEN STUDIO (review)
204 High St, Northcote
(86 Tram Line opposite Northcote Town Hall)

visit http://undergrowth.org/theworldtree & http://undergrowth.org/user/verb for more details or to see samples of Tim Parish's work

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Super Massive @ The Mess - Thursday 16th Aug - Candy's Apartment

Super Massive headlines the launch of The Mess - a new art-meets-art night for Sydney - this Thursday 16th August at Candy's Apartment.

The Mess
Thursday 16th August
Candy's Apartment
22 Bayswater Rd, Kings Cross, Sydney

Super Massive (Headline)
Great Apes
Stopwatch
Champagne Shoes

Doors open 8pm. $10-

THE MESS..

On Thursday 16th August Candy's Apartment hosts the launch of THE MESS, a monthly event to be held at Candy’s Apartment in Kings Cross in celebration of great local music, art, fashion & culture.

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