Who Needs Education? | American Craft Council

Who Needs Education? | American Craft Council

An interview with Paul J. Stankard, a fellow of the American Craft Council, teacher, book author and glass artist who didn't study at university level. He speaks about his experiences and what he tells his students at Salem Community College.

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Sticky Institute - Melbourne's zine store

I visited the Sticky Institute in Melbourne yesterday and bought a few zines and recorded a video asking the team a few basic questions about zines. The store has a wide selection of zines, and there's a membership / mail list where you can sign up and receive zines in the mail. If you're a zine-writer, you can contact the store and have them stock your zines. Their website also includes an impressive "Zineopedia" of Melbourne based zines which is a great resource for anyone wanting to find out more about zines. Though the best way would be to visit the store if you're in Melbourne, their website if you're not in Melbourne, or a local zine-festival and buy & read some zines. Or even better, start your own!

visit for more details
store details :
Sticky Institute
Degraves St Subway
Shop 10 Campbell Arcade Melbourne
stickyshop @ (remove the spaces)
(if you're not from Melbourne like me, it's opposite the train station on Flinders St, about half way (Flinders between Swanston & Elizabeth) - go downstairs towards the station subway and you'll see it)

PO Box 310 Flinders Lane Vic Australia 8009

One of the zines I bought was the "Anyone can.. " zine (anyone can make a zine) which launched the same day by the City Library Street Press. The City Library Street Press are quite active, having a few projects on the go and regular meetings at the library for zinesters and writers to get involved with. The "Anyone can.." zine also includes a MAP of Melbourne city showing writers & zinester spots of interest eg libraries, stores, artist spaces.

I also bought Anna Poletti's book "Intimate Ephemera : Reading Young Lives in Australian Zine Culture" whilst at Sticky. I've been to some of her panel sessions at the National Young Writers Festival in Newcastle & Critical Animals as part of This is Not Art (TiNA) over the years, so was glad to find her PhD book in the store too. The book is also available as an e-book (pdf) or d-book (pod / print on demand) from Melbourne University Publishing e-store

I haven't finished the book yet, but here's one passage about what a zine is [pg 11-12] :

"Personal zines do not share many of the characteristics of he texts that make up the bulk of sources studied in literary or cultural studies and, more specifically, scholarship on auto/biography. Of central importance to these non-traditional texts is the fact that sines are not mass-produced; they are not published by a professional publishing house, and thus not 'sanctioned as significant by [their] status as a mass produced commodity' (Huff 510). Moreover, zines are not easily available, do not participate in standardised modes of presentation and distribution, and are not well recognised within literary communities or among the reading (most commonly constituted as 'book-buying') public. Zines are homemade, ephermeral and amateur. They circulate among communities of readers through the mail, in out-of-the-way spaces, and are passed around hand-to-hand among social groups. They are also non-traditional because of the modes of emplotment that characterise them; in the case of personal zines, we find a unique mixture of established modes of life writing, such as the diary, alongside zine-specific narratives such as cut'n'paste collage. These material and textual idiosyncranasies challenge the literary critic to practise 'connected reading', which Gillian Whitlock describes as a practice which 'pulls at the loose threads of autobiography, and uses them to make sutures between, across and among autobiographical narratives' (Intimate Empire 204)".

I also like this definition by Richard A Stoddart and Teresa Kiser in Poletti's book [pg 27]
"Zines are a written product of the human need for self-expression. Beyond that, zines are hard to define."

on page 7-8, Poletti gives Duncombe's list for a 'zine taxonomy'. I thought this was very similar to the original definitions of video blogs when they'd first started (video blogs came after zines of course!) - my attempt was this video blog mind map before I realised it was crazy to try and define all the combinations - a simple all encompassing definition of 'video on a blog' was more appropriate, and did it matter anyway.. every now and then the videoblogging list starts up a new 'what is a video blog' thread - I suppose it is the same for all sub-communities that are less commonly known / new. the response below also reminds me of the videoblogging list arguments towards a simpler definition (or no definition), and at least a step away from a taxonomy.

"genres of zines: fanzines (broken down into subcategories by subject, that is music and sports), political zines, personal zines, scene zines (covering local and community events in the zinester's area), network zines (which review zine publications), fringe culture zines (covering UFOs, conspiracy theories and so on), religious zines, vocational zines (detailing 'life on the job'), health zines, sex zines, travel zines, comix, literary zines, art zines and 'the rest'"

... "the collapse of Duncombe's taxonomy into 'the rest - a large category' underscores the futility of attempting to solidify or organise a definition of zines based on their content. As Kirsty Leishman argues: 'Duncombe's work reveals that zines are ill contained and thus it is useful because it relieves subsequent researchers from pursuing such an arduous, yet futile, endeavour'(7)."

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Marcus Westbury - links

Marcus Westbury - questions / research

Marcus is looking for some long lead articles about his upcoming tv show. I offered to post something here then have had limited net accesss (excuses!). so some research on him. he's already all over the net!!
Marcus Westbury
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Marcus Westbury

Born 1974
Residence Australia
Nationality Australian
Marcus Westbury (b. 1974) is an Australian festival director, writer and media maker. He is currently based in Melbourne, Australia where he created the three part TV series Not Quite Art for the Australian Broadcasting Corporation screened during October-November 2007.

Contents [hide]
1 Biography
1.1 Arts and Festivals
1.2 Media Projects
2 Other
3 Media Coverage
4 External links

[edit] Biography

Robin Petterd phone chat - sonic objects, art practice, water and built instruments 23/10/2002

South Coast - Brighton (UK) hip hop documentary by Will Jewell

Watch the video

I saw "South Coast" a documentary about Brighton (UK)'s hip hop community by Will Jewell last saturday night at the Jerusalem Cinematheque as part of the British Film Festival. I thought the film was a great balance of original roots of hip hop, respecting the US origins, whilst highlighting the original crews from the local Brighton community and featuring some of the up & coming artists also. a great snap shot into Brighton hip hop. it feels similar to Australian hip hop in some ways.

I wrote some names during the film so I could find out about them later. (hard to read my writing so hopefully I have these right!)

- poets vs MC night / battle

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Olam Qatan - a chat about Israeli, Turkish & Middle Eastern music and books

Olam Qatan is a spiritual books and world music store in Emek Refaim St, Jerusalem, Israel. I spoke briefly with it's owner Ya'qub ibn Yusuf, who explained some of the music and books available in his store. Sounds like there's a fusion of East meets West happening in Israel and Turkey, which is really interesting to hear. It's great to speak with Independant store owners - their passion for music & books is contagious and it's great to discover new sounds and genres.

tina 2006 - chat with Richie on sound toys and playful instruments

direct video link
video page on

a chat with Richie, from Melbourne band / crew WD40, who builds sound toys and instruments for outdoor parties and festivals - for both kids and adults. he discusses his thoughts on the importance of play. midway through some people walk past and one starts playing a piano down the other end of the room so there was a nice chat about instruments and the piano Richie has at home.

QBert Scratch Tour, Sydney, 19/12/2002 - chat with Mathmatics

an audio recording of a chat with DJ Mathmatics @ QBert Scratch Tour, Sydney, 19/12/2002

Mathmatics @ q-bert scratch tour, sydney

click on the image to goto the video player page

click here to download the audio file>
an audio recording of a chat with Mathematics @ QBert Scratch Tour, Sydney, 19/12/2002

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MC Sabre "Defence Vs Aggression"

Sabre is a devoted MC from Brisbane Australia. He is a committed freestyle MC as well as an experienced lyricist whenever it comes to his written material. Sabre has been heavily involved in the underground Brisbane Hip Hop movement for over a decade. After collaborating & compromising with other artists in the past Sabre has chosen to follow a solo career. This, his debut EP titled "Defence Vs Aggression" proves his confidence in his own lyrical ability by not calling in any guest MC's for the project. Production & cuts are supplied by DJ KODE RED (Brisbane 2003 ITF Champion), KAUTION & ALAN ROCK. Throughout "Defence Vs Aggression" Sabre runs through various styles with ease, displaying a wide variety of skills, touching on a range of topics including deep and personal tracks like "Dedicated", party-vibe tracks such as "Let's Get Started", and cut-throat in your face tracks such as "Enough Is Enough" and "You Don't Wanna". Read more or email for more information

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S~U~N~D~E~X smoothes out Brisbanites' w/e

As the cold winter chill begins to lift and the body starts warming up, it`s time to leave the annual state of hibernation and head out and about to see what new adventures await. As Brisbane Exhibition is just around the corner, people will be looking for a place to escape from the westerly winds and catch up with friends in a cosy atmosphere. With the current shortage of club venues in Brisbane, a new one on the market, The Winery could be the next place to take off. Situated in Davies Park, South Brisbane, it has a a couple of levels and a deck which overlooks the Brisbane River - no longer do the great views belong exclusively to the city crowd!

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"Silver Stars" Shine Brightly for Vision Four 5

Vision Four 5 announce new gigs and releases

When word reached me a week ago that Vision Four 5 were back on the gigging scene again, a shiver went up my spine and a rush of excitement went through me. This was the band that way back in 90-96 or so belted out tracks such as "Everything You Need", "Cyberphobia", "Purple Lamp" and released two albums "Texture" and "Humid" on Volition, the Australian label that typified the Australian electronic / dance music sound at the time. Vision Four 5 were one of the forerunners of this period, combining both music, lyrics and undeniably amazingly interactive graphics using the Amiga 'Mandala' system which provided real-time triggers for sounds and visuals during their energetic live performances. The interactive component of their live performances set them apart from all other Australian bands of the time, and I would even go far as to say from the majority of bands who currently perform these days. I spoke to Noel Burgess from the band about his upcoming gigs, music and some ideas about what makes him who he is today.Vision Four 5 announce new gigs and releases

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DMC - It's turntablism time of year again

Chats with NSW DJs and judges on this years battle

NSW DMC Solo Competition Finals + Interviews with DJ Nino Brown, DJ Subway, DJ Centrix
Saturday July 13th, 2002
Metro Theatre, Sydney

Turntablists are an interesting breed of DJ. They are not like the usual club/dance party/rave DJ who are known for seamlessly mixing one record into the next to create a piece of music which lasts the length of the night and keeps people dancing from go to woe. Turntablists have a few extra tricks up their sleeves which set them apart from the rest. People often crowd around to gaze and amaze at what they are doing. Their hands fly over the mixer and records as they pause now and then to touch the platter or adjust the pitch to create those recognisable percussive sounds whilst scratching, beat juggling and performing technical moves. These guys & gals use the turntable as their instrument. New songs are created on the fly from the conglomeration of beats, riffs, and vocal samples of the records they are cutting between. The resulting piece of music often has a theme, tells a story, or disses other DJs in the process (albeit ususally in jest these days).

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freeNRG : notes from the edge of the dance floor

freeNRG : notes from the edge of the dance floor - AliaK

AliaK spoke with Graham St John regarding his new book about Australian electronic music community, travelling sound systems and DiY party culture.

GRAHAM ST JOHN : EDITOR AND COMPILER OF "freeNRG : notes from the edge of the dance floor" @ FRIGID (HOPETOUN HOTEL, SYDNEY)

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[filtered]: an online book of interviews with australian & international artists

This book will hopefully be a collection of Australian electronic music and arts interviews which will help highlight some of the innovative projects people are working on as well as give some insight into the person behind the art that is created.

If you have any submissions please feel free to contribute! Login so your submission is recorded under your user name, and please leave a link to your website or details so readers know how to find you should they want more information.

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TKCB - Its Not a Drug, It's a Lightshow

TKCB - Its Not a Drug, It's a Light Show

Travelling KaleidoscopiK Candle Bonanza, or Damo as he is known by his friends has being hiding behind the scenes in Brisbane for longer than most of us have being listening. Specializing in light as an artistic medium, Damo started out by doing "cans" and "spots" for some of Brisbane's more rock and punk orientated bands before moving into rave and dance culture. Responsible for many shows at some of Brisbane's earliest "old school" parties, he programmed lights and rigged bank upon bank of strobe and other rave orientated effects at parties such as NASA, Creation, Adrenalin and Black Out at venues such as The Site, B.E.C (Nasa/Adrenalin) and The Roxy.

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