australia

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part of a performance by Jasch - generative audio and video soundscapes to immerse yourself in

sunday 01/10/2006, Electrofringe 2006, Newcastle, Australia

http://www.jasch.ch/

http://www.thisisnotart.org/

http://www.thisisnotart.org/Members/ben/jasch-codespace/

Codespace integrates realtime drawing and motion-images with electronic sounds that evoke an abstract place where organical and crystalline shapes pulsate and flow. Generative (rule-based) processes or algorithms and realtime action by the artist are applied to basic shapes which in conjuction with finely graded colours comprise a rich palette of textures and shapes. empty dark space is inhabited by fast moving abstract shapes, structures with an architectural quality develop over extended periods of time. The piece evolves from dark and minimalist atmospheres to abstract densities, like a digital painting performed before the viewer's eyes. Memory of the images accumulates, obtaining qualities like a painting or etching. Reduction and concentration of elements helps to maintain the crucial focus, build the tension and give insights into the enigmatic and invisible world built of code.

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part of the audio and video projection held at This is Not Art festival in Newcastle, Australia, sunday 01/10/2006.

http://www.thisisnotart.org/

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part of the video, audio performance by Somaya Langley who uses gestural movements combined with accelerometer sensors attached to her outfit, and David Wolf who provided the visual feast to accompany the soundscapes. part of Electrofringe 2006 festival in Newcastle, Australia, on sunday 01/10/2006.

http://www.thisisnotart.org/

http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/

TBA explores sonic city spaces through a gestural interface. In the current sociological climate, the city can be an alienating yet sonically rich space. Individuals potentially relate more closely to the city, the buildings and architecture than they do to the other inhabitants. However, the city is an ever-changing environment demolishing buildings, resurrecting monuments simultaneous moments of destruction and resurrection. Using footage of Newcastle as well as abstract and generative 3D systems, elements are combined and manipulated in real time using custom built applications developed with Quartz Composer and Max/MSP.

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part of Lloyd Barrett's panel session at Electrofringe 2006 in Newcastle, sunday 01/10/2006.

http://www.thisisnotart.org

http://www.thisisnotart.org/Members/ben/lloyd-barrett-mis-en-scene/

Combining schizophonic computer rendered soundscapes with graphical abstractions Mise En Scene is an exploration of film sound - in particular the importance of incidental sound in the creation of effective and diverse virtual environments. Using abstract methods of translating appropriated video and sound Mise En Scene demonstrates the very human ability to make sense out of nonsense when within a set of guidelines and expectations. Mise En Scene ultimately focuses on the creation of scenes from a variety of visual and sonic signifiers, the end result being akin to a strange dream open to interpretation.

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part of the Robin Fox session at Electrofringe 2006. he demonstrates his laser & music performance and speaks about his process.

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part of the Robin Fox session at Electrofringe 2006. he demonstrates his laser & music performance and speaks about his process.

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Cooknkitch and Monkfly: finish the night off with dark hip hop and electronica

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Cooknkitch and Monkfly: finish the night off with dark hip hop and electronica

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Cooknkitch and Monkfly: finish the night off with dark hip hop and electronica

this is not art festival 2006 - token word poetry jam @ festival club, newcastle, australia

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this is not art festival 2006 - token word poetry jam @ festival club, newcastle.

citizen tom

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