Digging Deeper: Making Manuscripts introduces you to the study of early text technologies, focusing principally on the medieval book, but covering other textual objects, too, such as scrolls and diplomata. The Digging Deeper team of scholars from Stanford and Cambridge reveals how to investigate manuscripts within repository settings and through online resources, what to look out for when confronted with manuscript images, and how to exploit all the information a manuscript offers. You will learn major characteristics of book production, the terms and methods used by manuscript historians to describe the book, and key themes in early book history. Where were manuscripts made and who made them? What kinds of materials were used and what can those materials tell us? What kinds of texts were created and copied during these centuries? How did multilingualism matter in the medieval period? In pursuing these questions, you will study some of the most significant and beautiful books held by the university libraries of Cambridge and Stanford.
Digging Deeper is a six-week course, with each week featuring filmed sequences of experts with manuscripts, reading assignments, a short transcription, and self-testing quizzes. Assignments will help you develop a basic knowledge of how to access manuscripts in person and online, skills in codicology (the study of the medieval book and the physical make-up of manuscripts), palaeography (the describing and analysis of medieval scripts), and transcription (the reading and interpretation of writing in manuscripts). Participants who finish the course will earn a Stanford Statement of Accomplishment.
Digging Deeper: Making Manuscripts will be followed in Spring with a course focusing on the interpretation and preservation of manuscripts in the digital era.
Engage Media has done incredible work in documenting some of the stories of people & communities in Asia. Some of my favs are the Punks who use their music to do activism and help their communities, and the amazing work Andrew Garton has done with Sarawak, documenting how their traditional lives in forest communities has been changed & is at risk of being lost.
It's just over half way funded, pls help it get through, & spread the word to your friends. I think the world needs to hear more of these Voices - they're doing important work
I just saw the email for the upcoming Maybe Logic Academy courses - there's another by Douglas Rushkoff called Corporatized - An Alternative To Corporatism & Beyond coming up in January 2009 - scheduled for 6 weeks from January 12 to February 22. his last class "Technologies of Persuasion - From Propaganda to Paranoia" was great - the class was very popular and had a lot of people in it. the first few weeks moved really quickly, by the last few weeks it was running at a slower pace so I could try and catch up. I was doing the The Crazy Wisdom of Philip K. Dick class with Erik Davis at the same time, so I was running behind on the Rushkoff class as the PKD class was so interesting! Fingers crossed there might be another PKD class with Erik Davis too - I asked and they said Maybe! (excuse the pun :)
I think Rushkoff's new class will be really interesting, especially as in the Persuasion class he mentioned his thoughts on the global economy and how we should be using a different 'money' system & alternative currencies. He's written many books, and columns with newspapers such as New York Times & Guardian of London. He now also writes for Arthur Magazine, which I think in some ways has taken over from where Mondo 2000 and previously Reality Hackers magazines started. Arthur No. 29, May 2008 has one of his articles, Riding out the Credit Crisis which I think was very timely considering the state of economic affairs around the globe now with some regions stating they are in a recession. this month's Arthur # 31 - October 2008 has another article by Rushkoff called "No Money Down" (pages 26-27) which is worth a read too - the pdf's are available to download on their site (part A has this article). he also has a forum on his site where some of the discussions can take place & continue from previous (and I'm assuming future) MLA courses, boing boing posts, Arthur articles and his books.
from Riding out the Credit Crisis : "Whatever the case, the best thing you can do to protect yourself and your interests is to make friends. The more we are willing to do for each other on our own terms and for compensation that doesn’t necessarily involve the until-recently-almighty dollar, the less vulnerable we are to the movements of markets that, quite frankly, have nothing to do with us."
...
"Think small. Buy local. Make friends. Print money. Grow food. Teach children. Learn nutrition. And if you do have money to invest, put it into whatever lets you and your friends do those things."
mind map (so far) of week 1 of Technologies of Persuasion online course.
Why Johnny Can't Program audio lecture - mind map notes. most of these notes are what the speaker, Douglas Rushkoff mentioned in the lecture - I've paraphrased some of it whilst taking notes.
files attached. remove the .txt from .html.txt files (drupal upload seems to be adding the .txt)
one of the other class members, monster (Caroline Jack) has transcribed the audio lecture!, so this would be a more complete / accurate account of it.
Agency considered in the philosophical sense is the capacity of an agent to act in a world. The agency is considered as belonging to that agent, even if that agent represents a fictitious character, or some other non-existent entity. The capacity to act does not at first imply a specific moral dimension to the ability to make the choice to act. Moral agency addresses issues of these type. Human agency is the capacity for human beings to make choices and to impose those choices on the world. It is normally contrasted to natural forces, which are causes involving only unthinking deterministic processes. In this it is subtly distinct from the concept of free will, the philosophical doctrine that our choices are not the product of causal chains, but are significantly free or undetermined. Human agency entails the uncontroversial, weaker claim that humans do in fact make decisions and enact them on the world. How humans come to make decisions, by free choice or other processes, is another issue. The capacity of a human to act as an agent is personal to that human, though considerations of the outcomes flowing from particular acts of human agency for us and others can then be thought to invest a moral component into a given situation wherein an agent has acted, and thus to involve moral agency. If a situation is the consequence of human decision making, persons may be under a duty to apply value judgements to the consequences of their decisions, and held to be responsible for those decisions. Human agency entitles the observer to ask should this have occurred? in a way that would be nonsensical in circumstances lacking human decisions-makers, for example, the impact of Shoemaker-Levy into Jupiter. In certain philosophical traditions (particularly those established by Hegel and Marx), human agency is a collective, historical dynamic, more than a function arising out of individual behavior. Hegel's Geist and Marx's universal class are idealist and materialist expressions of this idea of humans treated as social beings, organized to act in concert. A similar use of the term agency can be found in social psychology, referring to the self-efficacy of a person, the ability of a person to act on his own behalf. [1]
everything stays pretty much the same
donald trump
he doesn't think twice about anything
that's where his power really comes from
he's got an other type of brain
it's this other type of brain that dominates
media literacy / teachers
trying to break 2000 years or more of cultural programming
this is the centre of something more radical than any revolution
DR: "I don't think we can quite frankly"
whenever a new medium arises
we end up teaching the "literacy of the last one"
history : we get text
God says to Abraham, "you'll be a nation of priests"
which means, you'll be a nation of people who can read and write
priests - heiroglyphs - the only people who could read & write; and pharoahs
we actually got a small number of rabbis / priests who could read and write, mostly just read..
plus a nation of 'hearers'
printing press - renaissance period
a way to write books
did we get a civilisation of 'writers'?
no - we got a civilisation of 'readers'
deconstruct things
internet
now we get a civilisation of writers
blogs
what we should have by now, is a civilisation of programmers
either you're programming, or you're programmed
the technology that people are using on internet now, the interface / internet / conduit they are using is still circumscribed by the same corporate interests that controlled your parents
time warner / AOL
now, instead of people paying to watch Warner Brothers content, people pay them to upload their own content. who cares? it's the same money - going to the same people
now, instead of doing this thing we think of as consumption, we're doing this other thing, that we think of as production, which is actually consumption
we work during the day, we come home and buy a video camera and pay the ISP and then upload the videos / productions that we made. and maybe they won't sue us for using their ideas & icons from popular culture
crowdsourcing
the money equation is the same
we're not actually looking at money and it's biases and how it's created
people's activity - renaissance / corporate way of creating people's media that we're building
what is energizing the rhizome?
cash !
the real currency that is moving through all of this
kids
they speak the language of this new media
they are developing the new languages
adults
are we anthropologists?
studying the kids? looking for the next big thing
or are we looking at the kids from a corporations pov
eg how do we subvert this behaviour
how do we make what they're doing, about what we're doing?
how do we make this communications revolution into a content revolution
"content is king" - the message of the past decade
first there was devaluing of personal contact & communication between people
and instead, value what content the corporations were outputting
then people started using that content as a medium of exchange
and the corporations replied with 'oh you can't use that - we own that'
which shows how little the corporations know about interactivity
and how much the corporations know about marketing
communications revolution
childrens tv programmes
they needed funding to produce the shows so the plush toys industry was started
idea came from Japan where this was already successful, eg Transformers toys
biases of media
if the bias of the media is to create the promotion & selling of the toys, then the stories themselves will change
eg fantasy universes that are unconciously designed to promote the sale of toys
that's why evolution became popular in Japan
when you have evolution, you constantly have new models
basic media literacy
the bias of the media changes
new media
this was the opportunity to change focus
when TV was introduced there was an initial small change in focus
people watched and produced educational programs
but these didn't turn out to be the most popular in the end
emails, laptops, computers everywhere
problem
on one hand, we have these tools that give us an inkling of our power as human beings to be the authors of our reality, of the very society that we're living in
on the other hand, we're in a society where we are so pressured to create applicable skills, that we lose sight of that
education conferences these days
are often about creating the "marketable student"; the "marketable graduate"
there's a lot of people putting money into creating these marketable skills
they're saying "how're we going to compete with the Chinese, the people in Bangalore"
but they may have to let students in on the fact that there is a conflict - between trying to promote real lateral thinking and the ability to create, and construct an argument.
same things they're trying to do in academy
some of the students are asking, 'why do we have to read McLuhan - these old white Europeans'
Walter Jackson Ong, S.J. (1912-2003) was a professor of English at Saint Louis University for over thirty years. Over the course of his career, Ong wrote a number of groundbreaking studies in the fields of orality and literacy studies. Some of these works include Orality and Literacy: The Technologizing of the Word, The Presence of the Word, and Ramus, Method, and the Decay of Dialogue.
you thought of the computer as a modelling environment
you thought of that as a place where anything could happen
that was a radically different way of understanding the tool, for those of us who had been raised on televison
because now we didn't think of the tv as a place to get programmed
we thought of a tv event, because that's what the monitor was, as a place to build a world
and then we started to look at other things in our world and wonder how they were programmed also
what else is a social construction
why are the roads in my town built this way?
it's not that God put them there
some people, at some point decided where they would be
and those people had certain agendas
either they wanted traffic to move quickly
they wanted people to stop at stores
why are the streetcars gone?
so this makes you think, why don't we use streetcars any more?
well, because this big company made a lot of money in a sort of corrupt way, and wanted streetcars out so we'd all have to buy cars
all of this happened
and it's not a matter of studying conspiracy theory
it's a matter of understanding, that the world we live in - a lot of it has been intentionally programmed with certain biases
and that most of the people who did that programming, are dead
and most people living in this world, don't even have access to the way it was programmed, or even to the IDEA that it WAS programmed. to the NOTION that it was programmed. that people had intent
so, playing with computers, most importantly, opened that
the idea that the world we live in has been programmed with certain biases
breaking down media opens you to this idea
and once you realise how a tv commercial is put together, you can understand how a politicians speech is put together.
you understand how everything is put together
once you work out how this is done, it's the acid trip moment, that so frightens the people who's money is in mainstream media
and that's why they undo all the feedbacks
I (Rushkoff) always talk about the effects of the remote control & how it helps to deconstruct media
the joystick, which helps us to demistify the interface
and the computer keyboard and the mouse that turns it (the computer) from a receiver, into a portal, into a do it yourself medium
but fear and money concerns undid this, very skillfully, undid these effects
and kids who are using the remote, were considered to have a shortened attention span
and they start misusing the diagnosis of ADHD to be applied to anyone who is capable of being resistive to media programming
the transparent interfaces of the 1980s and 1990s get replaced with Windows, and what is Windows about?
the main communication of Windows is not about "we make the computer easier for you to use"
the main communication of Windows is about "stay back", "we will use the computer for you"
how do you install a program in Windows?
you invoke the Wizard
why did they pick the Wizard? it's not the "helper"
it's the Wizard. because they're saying this is mysterious
this is magical
only the Wizard can move the applications into the applications folder
do not touch it
no user serviceable parts inside
a shift from contact (to content - on the internet)
people were online, and talking to each other
in 1994, they found that the average family that had internet connection was watching 9 hours less television a week
this was a problem
so then they said, "let's not make the internet about contact, let's make it about content"
and they start getting us sidetracked from one another, and engaged yet again with their corporate crap
and they're all happy with us using it, and sending it around, and being all viral until it gets into their Digital Rights
now try using Windows Vista
Vista is an operating system literally crippled by it's DRM, it's Digital Rights Management provisions
so much so, that I (Rushkoff) think this is the most positive thing to happen to linux since it's inception
it's so bad, that you can play something legal that you own, and Windows will come up and say "Windows doesn't think you have the rights to play this video - are you sure you want to proceed"
that's scary
educators
in the case of educators, what happens is that the lack of applications
I'm starting an online course tomorrow called " The Crazy Wisdom of Philip K. Dick". I'm not sure how I'm going to go, but I enjoy his books so it'll be interesting to find out more. the lecturer is Erk Davis who's well known for his studies on the author. I've just logged into the course page and read the intro and it sounds really interesting. I have a feeling I'm going to need to take it twice!
there's another one by Douglas Rushkoff which sounds interesting also - he sent the note about his course via his blog mail list, so that's how I came across the PKD one. there's others by R.U. Sirius of Mondo 2000 fame which I wouldn't mind checking out also. some of the others on the site seem a bit out there! but it's interesting to find out about things I don't know much about.
The program MediaArtHistories starts this November for the second time and is currently accepting applications. MAH conveys the most important developments of contemporary art through a network of renowned international theorists, artists and curators like: Steve DIETZ, Erkki HUHTAMO, Lev MANOVICH, Christiane PAUL, Paul SERMON, Edward SHANKEN, Jens HAUSER, Christa SOMMERER; Gerfried STOCKER, Knowbotic Research, Charlie GERE, Oliver GRAU and many others. Using online databases and other modern aids, knowledge of computer animation, net art, interactive, telematic and genetic art as well as the most recent reflections on nano art, CAVE installations, augmented reality and wearables are introduced. Historical derivations that go far back into art and media history are tied in intriguing ways to digital art. Important approaches and methods from Image Science, Media Archaeology and the History of Science & Technology will be discussed. visit the MediaArtHistories website for more information and to apply
part of the video, audio performance by Somaya Langley who uses gestural movements combined with accelerometer sensors attached to her outfit, and David Wolf who provided the visual feast to accompany the soundscapes. part of Electrofringe 2006 festival in Newcastle, Australia, on sunday 01/10/2006.
TBA explores sonic city spaces through a gestural interface. In the current sociological climate, the city can be an alienating yet sonically rich space. Individuals potentially relate more closely to the city, the buildings and architecture than they do to the other inhabitants. However, the city is an ever-changing environment demolishing buildings, resurrecting monuments simultaneous moments of destruction and resurrection. Using footage of Newcastle as well as abstract and generative 3D systems, elements are combined and manipulated in real time using custom built applications developed with Quartz Composer and Max/MSP.
I went to 2005 electrofringe a few weeks ago in Newcastle, Australia. I haven't finished going over my notes or posting some of the links to the artist's projects, but one of the workshops I went to was on Quartz Composer hosted by dpwolf. The software runs on a MAC, which unfortunately I don't have. :( perhaps if we get a project bonus this year I might be able to save up for one so I can try the software (and also max / msp }. anyway, I also came across the name dpwolf on the videoblogging mail list and low and behold it's the same person. he seems to do some work with Adrian Miles, who does some great projects with video and interactive quicktime and media in general. small world. I'd love to do the course Adrian teaches but can't afford to give up work to do it fulltime. due to excessive work commitments, I had to drop the Internet Communication course I was doing at CQU. now that I've finally upgraded my (this) site and moving most of my projects online (so as not to be so dependant on my laptop in case of travelling without it), I'd like to experiment more with blogging, videoblogging, podcasting and digital art and music projects (in addition to listing other people's projects on the site), hence, why the blog posts here have now become more personal. I've been reading about and been across these media for a while but haven't had much time to play myself, so that's the goal for the next year (& hopefully continuing onwards).
