Alias Frequencies

Alias Frequencies are an Australian organization that promotes and publishes media art, with an emphasis on collage-based experimental electronic music. Their website includes information about the artists as well as excellent articles about the Sydney electronic / experimental music community and performance spaces. Artists in the collective include

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holographic data storage

I remember reading about holographic storage / crystalline data storage in the mid 90s but back then they could write the data but couldn't read it back off. seems like they've fixed the problems according to the tests run last november. looking forward to the personal device using these to be available.. they've been doing tests with broadcasters for hdtv and the like. http://www.hiptechblog.com/2005/11/25/maxell-introduces-groundbreaking-h...

Rally Against Racism! Sunday 18th @ Sydney Town Hall Square

With all the emails circulating this week, this is one which Sydney-siders should read. "Rally Against Racism! Sunday 18th. It's time for ALL Australians to Unite Against Racism! The Unite Against Racism Rally WHEN: Sunday 18th December 2005 ::: TIME: 1pm ::: WHERE: Town Hall Square ::: After a marathon meeting at UTS last night, NUS (National Union of Students) and other associated community and cultural groups think it's time that the countless thousands of Sydney-siders who DID NOT like what they saw last weekend in Cronulla took to the streets to make their voice heard. We need to send the strongest possible message to the rest of Australia and to the rest of the world that those 5000 people who rioted at Cronulla do not speak for us. As such we need to quadruple their number, rain hail or shine! Spam this out to everyone you know! Lets get down there and show the world that we ain't (sic) a nation of redneck dic*heads."

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Unsilent Night Comes To Sydney: Bring Your Boomboxes To Town Hall, Sat 17th Dec, 8pm

Unsilent Night is, to quote its founder Phil Kline, an "outdoor ambient music piece for an INFINITE number of boom box tape players. It's like a Christmas carolling party except that we don't sing, but rather carry boom boxes, each playing a separate tape which is part of the piece. In effect, we become a city block long stereo system!"

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"The Book of Knowledge of Ingenious Mechanical Devices" by al-Jazari (1206)

"The Book of Knowledge of Ingenious Mechanical Devices" was a manuscript written by al-Jazari in 1206 which described automata and mechanical devices used in early Islam. One of the more famous is the "The Elephant Clock" pictured here. Other machines include wine servers. The devices were 'programmed' to be random and unpredictable.

There is an excellent explanation of some of these devices and the book in general @ http://66.244.200.112/D1006Gunalan_Nadarajan.wmv - this is a conference presentation by Gunalan Nadarajan on his paper :

Islamic Automation: A Reading of al-Jazari's The Book of Knowledge of Ingenious Mechanical Devices (1206)
http://www.banffcentre.ca/bnmi/programs/archives/2005/refresh/lisiten.asp

Professor Noel Sharkey from Sheffield University is building a replica of al-Jazari's automata boat which acts like a programmable drum machine.

[quote]
"Al-Jazari's machine was originally a boat with four automatic musicians that floated on a lake to entertain guests at royal drinking parties. It had two drummers, a harpist and a flautist."

"The heart of the mechanism is a rotating cylindrical beam with pegs (cams) protruding from it. These just bump into little levers that operate the percussion. The point of the model is to demonstrate that the drummer can be made to play different rhythms and different drum patterns if the pegs are moved around. In other words it is a programmable drum machine."
[/quote]

The guys from pawful.org have been working on a livecoding game called Al-Jazari which is a musical robot livecoding system based on the principles of al-Jazari's automata boat.

view the video demo at http://www.youtube.com/watch?v=zxwLllYchlw

[quote]
"Al-Jazari is written in scheme for fluxus, and continues in the gamepad driven vein of BetaBlocker.
Livecoding for all the family! Only for use at royal drinking parties."

"The language consists of instructions to move and turn the robot, along with conditionals based on the external state (blocked, robot to my left, right etc) and jump instructions to switch between 4 seperate code states. A simple signalling system to allow the bots to communicate is planned."
[/quote]

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Onion Robots website

Onion Robotics website contains a great deal of technical, creative and background information on robotics for hobbyists and even those more experienced. Some areas of the site also form a dictionary for some of the terms and concepts used in robotics, electronics, porgramming, Lego building and engineering.

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remember now @ Blacklab Gallery, Brisbane

Blacklab invites you to: remember now - a one day exhibition of contemporary souvenirs by Joanna Callaghan. Friday 16 December 11-9pm, Drinks 6-9pm. remember now includes a series of Brisbane postcards, a Michelle Leslie bikini with matching burka and a Falconio trial momento series of coasters and mugs. Joanna Callaghan is an Australian artist based in London. remember now is an exhibition of new work made over the last four weeks during a residency at Brisbane's Raw Space. read more or visit http://www.joannacallaghan.co.uk or http://www.blacklab.com.au for more details

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Banff Centre REFRESH! media art, science & technology conference - recorded sessions online

In September / October 2005, the Banff Centre hosted the recent REFRESH! conference, The First International Conference on the Histories of Media Art, Science and Technology. "Refresh! discussed questions of historiography, methodology and the role of institutions of media art. The conference contained key debates about the function of inventions, artistic practice in collaborative networks, the prominent role of sound during the last decades, and emphasized the importance of intercultural and pop culture themes in the Histories of Media Art. Readings of new media art histories vary richly depending on cultural contexts. This event called upon scholarship from a strongly international perspective. Refresh! represented and addressed the wide array of disciplines involved in the emerging field of Media Art. Beside Art History these included the Histories of Sciences and Technologies, Film-, Sound-, Media-, Visual-, and Theatre Studies, Architecture, and Visual Psychology, just to name a few." If you missed the face-to-face conference, visit the website to listen to the recorded sessions. http://www.banffcentre.ca/bnmi/programs/archives/2005/refresh/lisiten.asp

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Kojacq playing percussion for Rhian Sheehan & Module @ Peats Ridge Fest - Sat 10th Dec & Melt Bar Kings X - Sun 11th Dec

I've scored a cool gig this coming weekend (10th & 11th Dec 2005), playing percussion for Rhian Sheehan & Module @ Peats Ridge Festival in Glenworth Vally NSW

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QTVR2MOV - quicktime VR to movie

Ian James Woods is a photographer who specialiases in 360 degree panorama images and creating Quicktime VR videos. He has exhibited work in many galleries in UK. The Apple quicktime VR site has links to software that can produce VR images. To create a video sequence from your QTVR movie, try QTVR2MOV - a simple to use application for creating video sequences from cubic or cylindrical QTVR panoramas. Visit the website to download a copy : http://azurevision.co.uk/qtvr2mov/.

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Melbourne - Mental Spoken Word & Live Avante Garde Experimental Electronics - Follow up performances

Gordon Taylor (Infectious Unease Radio) & Fractl have lined up a number of underground gigs for Melbourne through November and December. Experimental Spoken Word - Nano Glitch - Industrial - Noise : Featuring lush symphonics, hard beats, experimental electronics and controversial spoken word poetics. Acts Include: Gordon Taylor & Fractl, Bastich - local solo noise / industrial audio and Mystral Tide - cold dance / darkwave. Sunday November 20th, at Glitch Bar (318 St Georges Road, North Fitzroy, Victoria, Australia). Bands start 9pm. Sunday December 4th, at Montsalvat (7 Hillcrest Ave. Eltham Victoria - Historic 1930's site). Barn Hall at 8pm. visit http://www.tidalportal.com/DEMUS for more info

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New Zealand's TransAcoustic Festival

Trans-Acoustic is a three day Festival where the centuries-old desire to fuse sensory impressions together is being given an experimental platform. Image generated to sound is now common practise, however TransAcoustic Festival will be examining the unique interface that results from the transformation of image or optical information into sound. Seeking to underline the acoustic perspective in a predominately visual culture, the Festival offers an inspiring synaesthetic experience to the public with seminars, performances and screenings on the 8th, 9th, 10th and 11th December 2005 at The Kenneth Myers Centre and the Odeon Lounge. contact info@transacoustic.org.nz for information or visit the website @ http://www.transacoustic.org.nz

LIVE Electronics, Glitch, Spoken Word and Industrial Music / Performance

Experimental Spoken Word - Nano Glitch - Industrial - Noise : A night of lush symphonics, hard beats, experimental electronics and mental spoken word performance. Free entry to see bands downstairs (cover charge for club upstairs). Acts Include: Gordon Taylor & Fractl - dark spoken word electronics, Bastich - noise / industrial and Mystral Tide - cold dance / darkwave. FRIDAY 11th NOVEMBER 2005, LIVE @ DREAM 229 Queensberry St, Carlton VIC, Time: 10pm - 2am

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_grau | robert seidel | d 2004 | 10:01 min | experimental film / tableaux vivants

Robert Seidel: _grau is a personal reflection on memories coming up during a car accident, where past events emerge, fuse, erode and finally vanish ethereally. various real sources where distorted, filtered and fitted into a sculptural structure to create not a plain abstract, but a very private snapshot of a whole life within its last seconds...

The living paintings (Tableaux Vivants) of growing structures branch out over 10:01 minutes (a reference to the binary system by Gottfried Wilhelm Leibniz, where he ascribes 1 to god and 0 to the devil) without ever reaching pure black or white respectively. Every element originates from real experiences and is adapted from my sketches, my own body fragments or scientific visualization methods. For example the first, still colored seconds are the prismatic halos of the collision fading into gray ("grau" in german)... The musical framework connects the memories born out of the dramatic moment to clusters. These are unleashed from the image flux partially - to ease the desired, free associations of the beholder...

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