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invisible art space news - April 2026

After a long summer break, invisible art space is back with more great events and exhibitions planned for 2026. We hope you’re enjoying a relaxing long weekend and not stressing too much about the current state of the world.

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January - March 2026

In January and March, we had a couple of [In]Visible Synth Sessions improv music afternoons with ATMM, Spoid, Zita and her theremin plus special guests: Coco Varma, Stuart Ridley and Glenn O’Loughlin at our Southern Highlands Garden Party and Justin Tauber (Golden Fang, The Sins, Jo Meares Band) at the Balmain gallery space. So far these sets have been low-key/IYKYK, but keep an eye out for their public gigs soon…

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April 2026

Coming up this Saturday 11th April two films by Andrew Garton (Secession Films) are being screened: "Know Me" and "Forged From Fire".

Please join us from 1-3pm at invisible art space to view these special films -> 141/2-18 Buchanan St, Balmain

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"Know Me" and "Forged From Fire" film screenings

Saturday 11th April two films by Andrew Garton (Secession Films) are being screened: "Know Me" and "Forged From Fire"

Please join us from 1-3pm at invisible art space to view these special films -> 141/2-18 Buchanan St, Balmain

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"Know Me" is a poetic realism style film showing the interconnections between the forests of Sarawak and some of the Indigenous peoples living there, as well as the impacts of biomass loss over time. The film weaves 1955-1963 8mm footage filmed by British WW2 veteran and linguist, Ian Urquhart with Andrew Garton's DV8, HDV and HD footage filmed between 1999-2014, along with time-lapse animations by artist, Mirranda Burton. It's a unique glimpse at a special place and culture at risk of further loss.

https://secessionfilms.com/project/knowme
https://www.andrewgarton.com

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"Forged From Fire - The Making of The Blacksmiths' Tree" tells the story of the Australian and international community of blacksmiths, artists, welders and volunteers working together following the tragic and traumatic 2009 Black Saturday bush fires to create The Blacksmiths' Tree, a three tonne, 9.8 meter tall gum tree made from copper and stainless steel. The film shows that beauty can come from resilient and connected communities during the recovery period following an horrific event such as this.

https://www.forgedfromfirefilm.com

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invisible art space 2026 programme


invisible art space 2026 programme (... so far ...)

Summer is over. Another great year planned at @invisibleart.space with works and projects from wonderful artists below + more TBA

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March 2026
28 March 2026 ::: [In]Visible Synth Sessions -> synth music improv session with ATMM, Spoid, Zita and her theremin plus special guest Justin Tauber (Golden Fang, The Sins, Jo Meares Band) on bass

April 2026
11 April 2026 ::: “Know Me” and "Forged from Fire - the making of the Blacksmiths' Tree" film screenings.
Films by Andrew Garton (Vic). 1-3pm

May 2026
Linda Loh (Mel)

September 2026
05 – 26 September 2026 ::: Elizabeth Rankin (Syd) “The Image of Her”

October 2026
28 September – 09 October 2026 ::: Katie the Artist (Bris)

November 2026
Emily Simek (Mel) and Shelley Watters (Syd) collaboration

invisible art space 2025 wrapup

Thanks to all the artists, visitors and supporters for a wonderful 2025 at invisibleart.space (ias)!

Since opening in June 2025:

- we've held 8 exhibitions (6 at Balmain, 1 at The ARI Show art fair, 1 at the Southern Highlands Arts Trail)

- the ias exhibitions were a mix of curated group shows, solo shows, an end of residency show, art fair & arts trail shows

- ias featured artists from various locations: UK/USA, New Zealand, Sydney (Inner West & Western Suburbs), NSW regional areas: Blue Mountains, Southern Highlands and the Central Coast

- shown a variety of works, methods, materialities & themes to showcase works on screen & works on paper, the conversations between the various themes plus the numerous ways digital / immaterial art can be brought into the material / physical world: digital / immaterial works on screen, paintings, living sculpture, installation, digital projection, screen printing, digital prints, photographic techniques, hand-programmed code based works, plotter prints, video based works

- hosted 2 [In]Visible Synth Sessions -> synth music jams

Thanks to all our artists shown this year!!

Celadoor, Angharad Evans, Mark Facchin, Beata Geyer, [In]Visible Synth Sessions, Neil Jenkins, Laurence Kimmel, Keorattana Luangrathrajasombat, Victoria Lobregat, Kath O'Donnell, Stu Sontier, Anke Stäcker, Shelley Watters
(alpha order)

We wish you all a happy new year and creative 2026!

In 2026, we have many projects and exhibitions being planned, and also work towards the space becoming sustainable going forwards. We hope you will come along for the ride

--kath from invisibleart.space

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december at invisible art space and nearby

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DECEMBER

06-20 December 2025 ::: works on screen and prints from Mark Facchin.

Mark Facchin is an artist, designer and animator working with digital methods and materials to augment and investigate drawing and painting processes. He was a finalist in the North Sydney Art Prize (2015,17,19 & 22), was shown in the 2018 Head On Screens (Paddington) and recently exhibited Articulate Project Space (Leichhardt).

Both works on screen and works on paper will be displayed at The Augmented Canvas exhibition at invisibleart.space, showing anthropomorphic forms, noise patterns, virtual tracings and simulations of physics' properties, such as wind and flow fields via virtual brush strokes.

You're invited to the opening event on Saturday 06 December 2025, 1-3pm.

The exhibition runs 06-20 December (sat+sun ::: 12-3pm) at invisibleart.space, 141/2-18 Buchanan St, Balmain.


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The Augmented Canvas exhibition ::: Mark Facchin

Mark Facchin is an artist, designer and animator working with digital methods and materials to augment and investigate drawing and painting processes. He was a finalist in the North Sydney Art Prize (2015,17,19 & 22), was shown in the 2018 Head On Screens (Paddington) and recently exhibited Articulate Project Space (Leichhardt).

Both works on screen and works on paper will be displayed at The Augmented Canvas exhibition at invisible art space, showing anthropomorphic forms, noise patterns, virtual tracings and simulations of physics' properties, such as wind and flow fields via virtual brush strokes.

You're invited to the opening event on Saturday 06 December 2025, 1-3pm.

The exhibition runs 06-20 December (sat+sun ::: 12-3pm) at invisibleart.space, 141/2-18 Buchanan St, Balmain.



photographer credit: Mark Facchin

RE:IMAGE exhibition at Articulate Project Space

RE:IMAGE exhibition at Articulate Project Space
01-23 November 2025

artists:
Aidan Gageler, Alice Crawford, Andrew Simms, Angharad Evans, Annelies Jahn, John Prendergast, Julie Visible, Kath O'Donnell, Kathryn Bird, Kendal Heyes, Keorattana Luangrathrajasombat, Mark Facchin, Neil Jenkins, Pia Larsen, Samuel James, Steven Fasan, Sue Murray, Zorica Purlija

Curated by Anke Stäcker and Beata Geyer

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I'm gallery sitting this Friday 11am-2pm, 14 Nov if you'd like to pop in, otherwise visit the exhibition Friday-Sundays weekly until 23 Nov, 11am-5pm

Artist talks this Sunday, 16 November, 2-4pm

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september - november at invisible art space & beyond

September-November is a great time to get out and about to see art in Sydney and enjoy this springtime weather

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SEPTEMBER

02-18 sept (tues-thurs 11am-3pm) ::: The ARI Show @ Muse Gallery, Tafe Ultimo. A collection of ARIs are exhibiting at this art fair, including: 4th wall, Articulate Project Space, Tiny Gallery, Draw Space / The Drawing Collective, Lennox Street Art Studios, Our Neon Foe, Daisy Knight and Invisible Art Space (us!)***

12 sept (fri 6-8pm) ::: After Hours event for The ARI Show @ Muse Gallery, Ultimo. Come along to the evening gathering, being held during Sydney Contemporary week. tickets are free - available here



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Agitate/d exhibition

Agitate/d

Angharad Evans, Beata Geyer, Billy Gruner, Chris Packer, Gary Deirmendjian, Ian Milliss, Isobel Johnston, Juliet Fowler Smith & Noelene Lucas – WRVAP, Kath O'Donnell, M Bozzec, Paraskevy Begetis, Pia Larsen, Sarah Keighery, Susan Andrews, Tom Loveday
Curated by Lizzy Marshall

Articulate Project Space | Downstairs | Opens on May 3 until May 25 | Fri, Sat & Sun

Agitate/d responds to the frustrations and the inability to communicate the manifestations of change occurring.

Responding to the shifting world order and accruing frustrations in our daily lives, Agitate/d presents artworks that communicate across suppression and censorship, or articulate the incomprehensible. Drawing on the Suprematists’ and Constructivists’ drive for a universal system of language that was inclusive, the exhibition showcases works that utilise laconic and subversive visual strategies of communicating.

Through the graphic, geometric, colour, typographic, and semaphore, the artists show us that they are agitated, communicating what is causing their agitation or creating newly responsive agitprop. Agitation is action.

https://www.articulateprojectspace.org/project/25-05-D

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https://www.articulateprojectspace.org/project/25-05-D

body as sac (2025)

body as sac (2025)

Inspired from reading “bodies of water“ and “material feminisms“ books, with their ideas on the posthuman feminine body and theories - bodies of water, blood, milk etc. made me think about what other materials are in the posthuman body, now we’re carrying plastic and some are injecting botox and saline and other cosmetic materials. For this work I explored making bioplastic / bio-silicone to see what other sustainable materials might be used. Or, if society moved to more sustainable plastics could they dissolve before/in the body for less harm? So this is a sac (fishbowl, that ppl look at, like feminine bodies are looked at) with materiality explorations and gloopy liquids (from photos of the materials’ samples & closeup pics via a digital microscope, made more gloopy via AI) are projected into the body/bowl via another pepper’s ghost process to show movement and life in the body, whilst the petri dish samples cure / set during the duration of the exhibition …

“Boobs Are Dancing” exhibition at @articulateprojectspace sydney. Thanks so much for the opportunity to show my work in this wonderful group show!

https://www.instagram.com/p/DHhfsQpz7KF




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plastisphere creatures in the Manipulated exhibition at Articulate Project Space


I'm happy my plastisphere creatures work was included in the "MANIPULATED" group exhibition at Articulate Project Space, 2-24 November. Plastisphere creatures series is a speculative evolution project imagining future creatures that have evolved to live on/in the Great Pacific Garbage Patch. The creatures were evolved using generativeAI techniques as still images then as a video. I also created cyanotype prints of the creatures, using hand printed cyanotype early photography techniques, so these prints are like old photos of future creatures.

Plastisphere creatures I-III. 2024. Cyanotype print on paper, mounted on foam board and trimmed with raffia paper, soft plastic, dressmaker sewing pins. Print: 21 x 29.7 cm

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Sonic Publics


What do we gain from public exposure to sound and how can audio be used to create urban environments that connect with the public?

Sonic Publics addresses the public presentation of sound. Audio is installed in industrial-scaled art galleries, tower lobbies, hospitals and concert hall foyers. Taking numerous forms, from compositions accompanying light environments to music designed to comfort visitors in office lobbies, audio arts presented in this way expands and shifts contemporary notions of public and private space. Sonic publics have grown rapidly, exposed knowingly or unknowingly to audio arts through large festivals focused on displays that fill their environments with sound and light to commercial environments that have placed large-scale screens and sound systems in entrance spaces.

Sonic publics, as presented in this forum, form across situations; visitors’ unheard energies are made sonic, apps such as Spotify and YouTube present algorithmically manipulated music to the public—at once diversifying and standardising music, and synthesised music is played to children in hospitals.

This forum, with its focus on the presentness of sound, asks a crucial question: What do we gain from public exposure to sound, and how can audio be used to create urban environments that connect with the public in a human-centred manner?

SPEAKERS

Chair: Associate Professor Caleb Kelly, UNSW School of Art & Design

Dr Adam Hulbert, UNSW School of the Arts & Media

Dr Tom Smith, UNSW School of the Arts & Media / UNSW School of Art & Design graduate

Dr Pia van Gelder, ANU School of Art & Design / UNSW School of Art & Design graduate

This forum will also be livestreamed: https://unsw.zoom.us/j/89794965569
Wednesday, August 7, 12 - 2pm AEST
UNSW Art & Design Paddington

part of the 2024 Research Forum examining the key research undertaken at the UNSW School of Art & Design
info via Sonic Publics ticketing site

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https://www.eventbrite.com/e/sonic-publics-tickets-880031486867

Mu-Meson Archive

The Mu-Meson Archive is a collection of cult and alternative films & ephemera gathered and kept safe by Aspasia and Jaimie Leonarder, aka Miss Death and Jay Katz. The archive, "exploring the fringes of society and the strange", is hosted in a venue in the inner west of Sydney. Subscriptions are available via the Mu Mesons Archive Patreon page to access films, interviews and more to support the archive for cheaper than a monthly streaming service

See an interview with the Leonarder's on RealTime Arts
Mu-Mesons Archive Facebook page
https://www.mumesonarchives.com

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https://www.mumesonarchives.com

VISION FOUR 5 – Ritual of Love EP (reissue)

VISION FOUR 5 – Ritual of Love EP

https://Xelon.lnk.to/EACpp

Officially this is the first single from the upcoming debut album ‘Texture’. This single switched gears for the band musically by releasing on CD which opened up an above the line distribution channel and split the sound into singles for radio and vinyl/remixes for clubs and rave. The vocals were delivered by Sheree Exton, who sang previously on Cyberphobia and much later on ‘B the 1’ on the second album ‘Humid’. While we’re on the topic of the vocalists who worked with Vision Four 5, here’s the shout out to all those talented and diverse singers:

Emma Baker Spink: The first vocalist, met in clubs and full of good vibes. Emma sang on ‘Love Power’ which formed part of the independent release ‘Deep Fantasy’

Sheree Exton: Introduced through a former lecturer and vocal coach, singing on ‘Cyberphobia’, Ritual of Love’, both of which she appeared in the video’s for and later ‘B the 1’

Yolanda Podolski: Conservatorium opera graduate and lead singer of cool indie/electro band (also featuring stable mate Paul Mac from Itch-e & Scratch-e) The Lab, singing on ‘United’ from the second album ‘Humid’

Lollie: The distinct sound and sights of club/cabaret personality Lollie, who co-wrote and sanf on ‘Funkify Yourself’ and ‘Purple Lamp’ as well as writing the lyrics for ‘B the 1’. What a team. She is a prolific talent who would take instrumentals to another dimension and turn them into killer songs with a unique and quirky appeal.

Thematically ‘Ritual of Love’ is a reflection of the clubbing lifestyle and rituals of mateship taking place in a modern social context. The original video played on this theme from the fervid to the frigid, extending the idea to body as landscape.

It was made on one of the first Avid digital non-linear edit suites in Australia and won a digital design award the year it was released.

Vision Four 5 always approached electronic music from a band, not a DJ perspective and included video and interactivity at the same experiential level for their shows. Touring and gigging was an essential part of writing and developing the material, both musical and visual, which was then released as singles albums and videos.

It’s an exciting time to be able to release the entire catalogue in it’s original form on all digital formats, with a few extra’s thrown in, to re-connect the music of the 90’s with people and find new audiences, which helps people understand how we got here.

By Noel Burgess
22/07/2016
https://www.facebook.com/visionfour5

original post @ https://www.facebook.com/visionfour5/posts/1413085998705375

The Triumph of Modernism in the Art of Australia

28 Mar 2015 - 24 May 2015

Spans 60 years of Australian Art with over 50 iconic works by 26 artists who have shaped the development of modern art in Australia.

The Triumph of Modernism tells the story of a new identity in Australian art commencing post World War II with artists such as Sidney Nolan, Arthur Boyd, Russell Drysdale, John Brack, John Perceval and Charles Blackman. Later years see the continuing development of modern art in the works of Fred Williams and John Olsen, and in more recent times in contemporary art by artists Imants Tillers, Howard Arkley and Aida Tomescu. The Triumph of Modernism is a rich and representative display of the story of modern Australia, with a particular and deliberate emphasis on Australian identity, although it is just a glimpse into the remarkable collections.

Curated for Hazelhurst by its patron, Edmund Capon, the exhibition provides an opportunity to see some works that are rarely made available for public viewing. “This is the first time Sydney audiences will be able to see the collection in such depth, revealing the strength and diversity it holds” said Belinda Hanrahan, Hazelhurst's Director. Edmund Capon says “My objective here has been to illustrate two themes; firstly the triumph of modernism in Australian art and, secondly, the particular qualities and strengths of the TarraWarra and Besen collections.”

Artists featured include Howard Arkley, George Baldessin , Charles Blackman, Arthur Boyd, John Brack, William Delafield Cook, William Dobell, Russell Drysdale, Ian Fairweather, Joy Hester, Dale Hickey, Roger Kemp, Joanna Lamb, Godfrey Miller, Sidney Nolan, John Olsen, John Perceval, Jeffrey Smart, Tim Storrier, Edwin Tanner, Imants Tillers, Aida Tomescu, Tony Tuckson, Brett Whiteley, Fred Williams and William Wright.

This exhibition is a partnership project between TarraWarra Museum of Art and Hazelhurst Regional Gallery & Arts Centre. The Triumph of Modernism will also be shown at TarraWarra Museum of Art from 21 June – 16 August 2015.

via http://www.sutherlandshire.nsw.gov.au/Community/Hazelhurst/Exhibitions/T...

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