Submitted by kathy on Thu, 19/10/2006 - 04:10
Watch the video
part of the video, audio performance by Somaya Langley who uses gestural movements combined with accelerometer sensors attached to her outfit, and David Wolf who provided the visual feast to accompany the soundscapes. part of Electrofringe 2006 festival in Newcastle, Australia, on sunday 01/10/2006.
http://www.thisisnotart.org/
http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/
TBA explores sonic city spaces through a gestural interface. In the current sociological climate, the city can be an alienating yet sonically rich space. Individuals potentially relate more closely to the city, the buildings and architecture than they do to the other inhabitants. However, the city is an ever-changing environment demolishing buildings, resurrecting monuments simultaneous moments of destruction and resurrection. Using footage of Newcastle as well as abstract and generative 3D systems, elements are combined and manipulated in real time using custom built applications developed with Quartz Composer and Max/MSP.
Submitted by kathy on Thu, 19/10/2006 - 04:00
Watch the video
part of Lloyd Barrett's panel session at Electrofringe 2006 in Newcastle, sunday 01/10/2006.
http://www.thisisnotart.org
http://www.thisisnotart.org/Members/ben/lloyd-barrett-mis-en-scene/
Combining schizophonic computer rendered soundscapes with graphical abstractions Mise En Scene is an exploration of film sound - in particular the importance of incidental sound in the creation of effective and diverse virtual environments. Using abstract methods of translating appropriated video and sound Mise En Scene demonstrates the very human ability to make sense out of nonsense when within a set of guidelines and expectations. Mise En Scene ultimately focuses on the creation of scenes from a variety of visual and sonic signifiers, the end result being akin to a strange dream open to interpretation.
Submitted by kathy on Thu, 19/10/2006 - 03:25
Submitted by kathy on Thu, 19/10/2006 - 03:20
Submitted by kathy on Tue, 05/09/2006 - 06:35
Submitted by kathy on Mon, 04/09/2006 - 05:05
Submitted by kathy on Mon, 04/09/2006 - 03:10
Submitted by AliaK on Tue, 22/08/2006 - 04:23
The Korean Electro-Acoustic Music Society (KEAMS) was founded for the development of electro-acoustic music and computer music in 1993.
read more or
visit http://www.keams.org for more details
Submitted by AliaK on Tue, 22/08/2006 - 04:16
The Seoul International Computer Music Festival (SICMF) held annually since 1993 is one of the biggest electro-acoustic music festivals in Asia, and also internationally well-known.
Every year over 100 composers from various countries submit their works for the festival, and about 20 pieces among them are chosen and performed at the festival. We also have invited special composers or performers for the festival such as DEGEM, CCRMA and Meta Duo.
read more or visit http://www.computermusic.or.kr/main_en for more details
updated links:
http://computermusic.asia
http://keams.org
Submitted by AliaK on Wed, 05/07/2006 - 03:16
The Sydney leg of the annual Liquid Architecture festival of sound arts starts Wednesday 5th July at the Performance Space. The Sydney Morning Herald has a preview: http://tinyurl.com/gqkoj. The week will be packed with performances, talks and workshops from local and international artists. Liquid Architecture is an essential event for anyone interested in contemporary sound and music. visit http://liquidarchitecture.org.au for more details
Submitted by AliaK on Wed, 26/04/2006 - 04:01
A new magazine for the grey zone of Noise & Politics, Datacide provides information on the cutting edge of technological subversion via sound and ideas. Assembled as part of an emerging Post-Media flow, Datacide is fueled by a current of enthusiasm and desire that does not seek legitimiation through the usual channels, but works as a tool to prompt the inquisitive and those becoming increasingly tired of the expediencies of journalism and self-interest.
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