Submitted by kathy on Mon, 23/10/2006 - 00:35
direct video link
video page on blip.tv
a chat with Richie, from Melbourne band / crew WD40, who builds sound toys and instruments for outdoor parties and festivals - for both kids and adults. he discusses his thoughts on the importance of play. midway through some people walk past and one starts playing a piano down the other end of the room so there was a nice chat about instruments and the piano Richie has at home.
Submitted by kathy on Sun, 22/10/2006 - 23:30
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this is some video I took with my old camera as I drove into Brisbane from Sydney for the final visit prior to leaving for the UK. you can't see much detail - but the lights are colourful and I can tell each step along the way - probably have a story for most of the spots driven past. I can't remember how many times I've driven through the city and valley over the years when I lived there. the valley looked alot different - new business, brighter lights. it brings back lots of nice memories of the fun times in brisbane!
Submitted by kathy on Sun, 22/10/2006 - 20:20
Submitted by AliaK on Sun, 22/10/2006 - 00:03
Submitted by kathy on Fri, 20/10/2006 - 03:20
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the drive to Canberra to see Tab & Andrew while she's pregnant. shaky footage as I was driving! I took a couple of the brown signed tourist drives and ended up on a 75 km unsealed dirt mountain track on the way to Wombeyan Caves. I had to beep the horn going round the blind corners and the tyres were sliding a bit some of the time so it was a bit scary. it took me a couple of hours as I was driving so slowly! luckily I didn't come across too many cars coming the other way. finally I made it to the bottom of the hill where the park is leading to the Caves. by this time it was 3:30pm and I thought I might have to do another 75k to get back to the highway, so I didn't actually make it to the caves - the shortest trip was a 1.5 hr guided walk which involved climbing inside the caves also. I did get to see lots of kangaroos though and the park was a nice oasis after the hairy drive through the mountains. luckily there was a 5 km road with about 1 km unsealed, but easier gradient road leading out of the park heading towards Golburn / Canberra, so the trip back was much quicker and safer! great to see Tab & Andrew before they have the baby, so it was worth the trip!!!
Submitted by kathy on Fri, 20/10/2006 - 02:35
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parts of Ian Andrew's performance and presentation of his video works at Electrofringe 2006, Newcastle, Australia, sunday 01/10/2006
http://www.thisisnotart.org
http://www.thisisnotart.org/Members/ben/ian-andrews/
Ian Andrews, born 1961 (Australia) is a Sydney based independent film, video and sound artist who has been practicing since 1981. Much of Andrews' work consists of video/sound collage, "cut-up", and agit-prop culture jamming utilising a diverse range of visual styles from animation to "found" footage. The work is often characterised by themes such as technology and subjectivity. He will present a live performance, followed by discussion around his work and writing.
Submitted by kathy on Fri, 20/10/2006 - 02:10
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part of a performance by Jasch - generative audio and video soundscapes to immerse yourself in
sunday 01/10/2006, Electrofringe 2006, Newcastle, Australia
http://www.jasch.ch/
http://www.thisisnotart.org/
http://www.thisisnotart.org/Members/ben/jasch-codespace/
Codespace integrates realtime drawing and motion-images with electronic sounds that evoke an abstract place where organical and crystalline shapes pulsate and flow. Generative (rule-based) processes or algorithms and realtime action by the artist are applied to basic shapes which in conjuction with finely graded colours comprise a rich palette of textures and shapes. empty dark space is inhabited by fast moving abstract shapes, structures with an architectural quality develop over extended periods of time. The piece evolves from dark and minimalist atmospheres to abstract densities, like a digital painting performed before the viewer's eyes. Memory of the images accumulates, obtaining qualities like a painting or etching. Reduction and concentration of elements helps to maintain the crucial focus, build the tension and give insights into the enigmatic and invisible world built of code.
Submitted by kathy on Fri, 20/10/2006 - 01:55
Submitted by kathy on Thu, 19/10/2006 - 04:10
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part of the video, audio performance by Somaya Langley who uses gestural movements combined with accelerometer sensors attached to her outfit, and David Wolf who provided the visual feast to accompany the soundscapes. part of Electrofringe 2006 festival in Newcastle, Australia, on sunday 01/10/2006.
http://www.thisisnotart.org/
http://www.thisisnotart.org/Members/ben/david-wolf-and-somaya-langley-tba/
TBA explores sonic city spaces through a gestural interface. In the current sociological climate, the city can be an alienating yet sonically rich space. Individuals potentially relate more closely to the city, the buildings and architecture than they do to the other inhabitants. However, the city is an ever-changing environment demolishing buildings, resurrecting monuments simultaneous moments of destruction and resurrection. Using footage of Newcastle as well as abstract and generative 3D systems, elements are combined and manipulated in real time using custom built applications developed with Quartz Composer and Max/MSP.
Submitted by kathy on Thu, 19/10/2006 - 04:00
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part of Lloyd Barrett's panel session at Electrofringe 2006 in Newcastle, sunday 01/10/2006.
http://www.thisisnotart.org
http://www.thisisnotart.org/Members/ben/lloyd-barrett-mis-en-scene/
Combining schizophonic computer rendered soundscapes with graphical abstractions Mise En Scene is an exploration of film sound - in particular the importance of incidental sound in the creation of effective and diverse virtual environments. Using abstract methods of translating appropriated video and sound Mise En Scene demonstrates the very human ability to make sense out of nonsense when within a set of guidelines and expectations. Mise En Scene ultimately focuses on the creation of scenes from a variety of visual and sonic signifiers, the end result being akin to a strange dream open to interpretation.
Submitted by kathy on Thu, 19/10/2006 - 03:25
Submitted by kathy on Thu, 19/10/2006 - 03:20
Submitted by kathy on Wed, 18/10/2006 - 03:35
Submitted by kathy on Wed, 18/10/2006 - 03:15
Submitted by kathy on Wed, 18/10/2006 - 03:10
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