The Streaming Festival is accepting submissions for its 4th edition in November 2009.
Deadline for submissions is 01 Ocotber 2009.
Accepted genres are documentary, animation, video art, flash and narrative.
No entry fee for submissions.
The Streaming Festival is an international audio visual festival on the internet. Films are presented full screen on streaming servers with high image quality.
The 4th edition will start in November 2009, and lasts 10 days. The Streaming Festival is based in the Netherlands but has no geographic boundaries.
Viewers can visit from any location in the world, at any given time and plug into one of the festival streams.
Announcing Synaesthesia, Art, Science & Technology Discussion Group on the Leonardo Education Forum (LEF)
Following the Synaesthesia Discussion on YASMIN Discussions List, during the month of February 2009, we wish to inform you that this discussion will continue on the Leonardo Education Forum on the topic of Synaesthesia, Art, Science & Technology.
This Discussion Group invites comments on Synaesthesia, Art / Science topics as well as announcements on art projects, research and relevant events.
The LEF Synaesthesia Discussion Group is part of the Leonardo Synesthesia and Intersenses Special Project launched in 1999 by Jack Ox and Jacques Mandelbrojt (www.leonardo.info/isast/spec.projects/synesthesia/synesthesia.html) and is currently moderated by Veroniki Korakidou, PhD Candidate - Research Associate at the University of Athens NT Lab, Communication and Media Department.
Electrofringe is now calling for proposals for the 2009 festival. We are looking for creative expressions from artists, sound artists, performers, media makers, digital filmmakers, researchers, cross-artform practitioners, curators, producers, writers, experimenters, enthusiasts and anyone who doesn't fit these boxes.
Electrofringe is a five-day festival of electronic arts and culture held from the 1st - 5th October 2009 in Newcastle, Australia. Electrofringe is part of a group of festivals collected together under the This Is Not Art umbrella. Electrofringe is committed to fostering creative and innovative use and re-use of technology and electronic artforms, while focusing on artistic development and skills exchange.
Renew Newcastle is a not for profit company limited by guarantee. Renew Newcastle has been established to find short and medium term uses for buildings in Newcastle's CBD that are currently vacant, disused, or awaiting redevelopment.
Renew Newcastle aims to find artists, cultural projects and community groups to use and maintain these buildings until they become commercially viable or are redeveloped. Renew Newcastle is not set up to manage long term uses, own properties or permanently develop sites but to generate activity in buildings until that future long term activity happens.
Renew Newcastle was founded to help solve the problem of Newcastle's empty CBD. While the long term prospects for the redevelopment of Newcastle's CBD are good, in the meantime many sites are boarded up, falling apart, vandalised or decaying because there is no short term use for them and no one taking responsibility for them.
Renew Newcastle has been set up to clean up these buildings and get the city active and used again.
Via Grafik (Germany) meets Cut Collective (Aotearoa): 13 Feb - 17 May 2009
Street Art: some see it as a way of reclaiming public space, to others it's reckless vandalism. Either way street art offers a communication platform in an urban environment otherwise dominated by symbols of the media and advertising. Emerging from the graffiti movement in Europe and the USA in the 80s, street art has gained profile since UK artist Banksy sold recent work for 1 million pound. Common Ground looks at the phenomenon of street art in two very different countries on opposite sides of the globe - Germany's art collective and design studio Via Grafik and NZ's street art crew Cut Collective. The artists walk the line between art and vandalism, creation and disruption; and share a common belief that "if the wall is kept grey, the mind will follow."
Common Ground is supported by a full series of public programs including New Zealand first LASERTAG events.
13.02.2009 LASERTAG at The New Dowse, 45 Laings Rd Lower Hutt, 8 - 11pm
15.02.2009 Public Debate hosted by Jo Randerson, The New Dowse, 3 - 4pm
21.02.2009 Via Grafik & Cut Collective live at the Cuba Street Carnival, Wellington.
Bus painting for the parade and Cut Collective will be holding a stall in the market selling art, prints and T-Shirts
The 4th annual Carnival of e-Creativity (CeC 2009) is scheduled to be held February 27 to March 1, 2009, in the sylvan spaces of Sattal Estate, just above Bhimtal, near Nainital, in the Lower Kumaon of the new Himalayan Indian state of Uttarakhand.
As always, this will be about Presentations, Performances, Exhibits, Meetings, and Screenings, involving direct and indirect participation of e-Creative Practitioners of all description from around India and the world, spread over 3 days of intense private, and also public, creative interaction.
Organizers :
The Academy of Electronic Arts (The AeA) is a Private Trust that serves as a learning, sharing, mentoring, networking, benchmarking, empowering and broadly inclusive, but non-educational, institution.
Managing Trustee of The AeA & Incident Director for CeC 2009: Shankar Barua
Co-Curator: Ima Pico (Spain)
Co-Curator: Wilfried Agricola de Cologne (Germany)
Co-Curator: Moritz Neumuller (Spain)
Narghile is an AV performance project of Brisbane's video & sound artist Lloyd Barrett. Lloyd has also worked using the name Secret Killer of Names / SKON. I googled N4rgh1l3 and found some video works. absolutely amazing! he mentioned he uses Isadora. it's amazing what he gets the program to do - if only I could get it to do half as much I'd be happy!!
this is a video piece submitted for the surface mapping projection at the Queensland Library at the Opening of the "Game On" exhibition (early arcade games & consoles). I went to this exhibition during Christmas holidays - it was great. unfortunately I didn't attend the Opening night as I was interstate. plenty of fathers showing their sons the games they played when younger. visitors were allowed to play the games, and they could read a bit about the history & background of the games. the Japanese 'dating' games was a new one to me!
Narghile v0.01 part 1 : Part one of two. First performance of Narghile's new audio visual processing processy thing. Videos made from still images and DV footage taken by the artists and processed live by Isadora and extra audio processing by Audio mulch and a Chaos Pad.
I've been reading about Rothko's paintings this weekend and wanted to make a video painting similar to his works. it didn't quite work out as I expected (or like a Rothko painting). but I took videos around Auckland yesterday of different colours with the plan of using them as overlayed panels of colours. instead I ended up using a slit screen and shifting the entry points + having horizontal & vertical panels + changing between the different clips.
I don't think it turned out like the later Rothko paintings though. his paintings has large blocks of colour yet they weren't really about the colour. they were about the emotions - and the paintings showed emotions through the colours & induced emotions in the viewer. there were also glimpses of spirituality in the paintings - some had an inner light which shone through the works. also the size & scale of the paintings - often wall sized - caused the viewer to be enveloped in the emotions. the video I've made doesn't have the same emotions. it's more about the colours - the colours of Auckland city. the edges in the video work are too crisp and sharp. and there's no inner light. the motion relates more to Len Lye's use of motion in images & experimental films and sculptures. I've been reading about his work and his papers prior to making the video - in the book "Figures of Motion - Len Lye - Selected Writings". so I will have to try again - & maybe filter out or soften all the edges, or only keep the lines , like brush strokes, then build them up to panels of colour. many options to think about!
Solar Circuit Aotearoa New Zealand (SCANZ) is the interCreate Research Centre's major project, a two week residency for artists, producers, writers, theorists and curators will be held in New Plymouth New Zealand from January 26th to February 8th 2009. Project partners are the Govett-Brewster Art Gallery and Puke Ariki integrated library and museum.
Raranga tangata refers to the weaving together of people, a phrase used to describe the internet and adopted by Sally Jane Norman and Sylvia Nagl in their work. The aim for SCANZ 2009 is to weave an enduring fabric of people and technology, located in this place: Taranaki, Aotearoa New Zealand, Pacific Ocean.
Residency
January 26th–February 8th
Symposium
February 7th–8th
Residency
January 26th–February 8th
The residency themes are Environmental Response and Participate/Display. Occurring along side the residency are a two day symposium (February 7 and 8), presentation evening & opening event (February 7), and curatorial workshop.
Parsons Bookshop located in central Auckland stocks International Art books, Exhibition Catalogues, Art Theory, Design, Photography, Architecture and Fashion books, as well as a large stock of New Zealand, Maori & Pacific books including Fiction, Poetry, Art, Small Press and Limited Edition Titles, Politics, History, Biography and Natural History. http://www.parsons.co.nz for more details
The organisers cleared out an old locksmith shop and launched a dynamic art and event space in December 2000. The gallery played host to political film screenings, free dinners, durational performances, experimental sound nights, site-specific installations...
SquatSpace opposed the standard "pay-as-you-show" system used by many high-rent artist-run-galleries in Sydney. Exhibiting was free, with artists usually becoming involved in the life of the squatting community in some way.
NUCA - the Network of Un-Collectable Artists - is a nation-wide affiliation connecting those who gravitate towards ephemeral projects, participatory experiences, illegal art actions, and activities that oddify everyday life. Some members make unwieldy installation projects, while others alter billboards, project images in abandoned spaces at night, or exchange ideas rather than objects. Some simply make dead ugly paintings that would never sell.
Because such artworks are often fiendishly tricky to document, they seldom grace the columns of "recognised" publications. NUCA is building a publicity machine of its own, so artists may exchange essential info about their activities, collaborate on new projects, and connect with Uncollectable others.
cicada is a collection of artists who work with landscape - urban, natural, constructed and imagined... a combination of results occur, including site-specific installations, performances and interactive pieces... cicada also make other bits of sound+image works for theatre, dance and performance projects... and occational urban gifts of unexpected enlightenment...
Cicada projects have included :
* Mob - an installation exploring the crowd as a discrete organism.
* Saltmilk and other wonders - work resulting from a residency in the West Australian wheat town of Kellerberrin.
* Amensal - an interactive street level installation, a purely negative urban symbiosis.
* Re_Squared - an immersive outdoor audio visual performance celebrating moments of discovered beauty in the city.
The 4th annual 
NUCA - the Network of Un-Collectable Artists - is a nation-wide affiliation connecting those who gravitate towards ephemeral projects, participatory experiences, illegal art actions, and activities that oddify everyday life. Some members make unwieldy installation projects, while others alter billboards, project images in abandoned spaces at night, or exchange ideas rather than objects. Some simply make dead ugly paintings that would never sell.